Pwned

2008-12-12T15:30:00.001-08:00

YouTube Symphony

2008-12-01T19:06:00.000-08:00

Following up on Marissa's previous post, YouTube is arguably the world's largest movie theater. Makes sense, since many users spend hours on YouTube to watch movies or TV shows aired all over the world. Users connect and communicate with one another through YouTube channels creating a virtual community on the web. According to recent BBC News, Beijing Olympics theme composer Tan Dun is using this new medium to handpick musicians to play his Symphony No 1 "Eroica".

YouTube now a place for an online orchestra recruit wants users to submit videos showcasing their musical talent. Users will have until January 28th, 2009 to submit their talent with a final public vote taking place two weeks later. Finally the winners will be flown to New York's Carnegie Hall to play at a three day classical music summit. Dun referred to the internet as an invisible Silk Road joining people across the world and YouTube seems to be the best example of the virtual community that exists today.
http://news.bbc.co.uk/2/hi/technology/7759171.stm

iTunes Launches DRM-Free Music

2007-05-29T23:14:00.000-07:00

It took them the whole month to do it, but they kept their word: Apple said we would have DRM-free iTunes music in May, and today they delivered. From Mac Rumors (the only ones covering this at the moment of posting):

Apple released iTunes 7.2 updated in the Mac OS X Software Update tonight, which offers support for "iTunes Plus", Apple's new DRM-free $1.29 offerings announced in April.

"iTunes Plus"? If the price hike for no DRM wasn't bad enough, calling something that reasonably should be considered industry standard a "Plus" feature is quite annoying. Of bigger note is the fact that no DRM-free content is actually available yet, which will hopefully appear by morning (May 30).

Previous Coverage

A Fair(y) Use Tale

2007-05-21T18:13:00.001-07:00

Awesome mashup of Disney cartoons to explain copyright and fair use.

Illegal Downloading and USC

2007-05-21T10:18:00.000-07:00

In April, someone posted on the blog about a survey on p2p.net regarding illegal downloading and the public's general opinion on their chances of becoming a victim. For my final project, I tweaked the survey and decided to distribute it to USC students to get a sample of how students on campus feel about downloading. I surveyed 224 students over a three day span and the results were interesting. I thought an overwhelming majority of students would be illegal downloaders, but to my suprise, many students want nothing to do with downloading. Instead of giving the lengthy discussion, I will let the numbers speak for themselves:

1. Do you download illegally?
YES 121 (54%)
NO 103 (46%)

2. If you answered yes, what type of media do you download? (students could choose more than one, thus the discrepancy in percentages)
MUSIC 114 (94%)
MOVIES 33 (27%)
TV SHOWS 26 (22%)
SOFTWARE 19 (16%)

3. Do you feel downloading through USC puts you at greater risk for being caught by the RIAA?
YES 158 (71%)
NO 64 (29%)

4. Has the influx of RIAA lawsuits caused you to stop downloading?
YES 72 (32%)
NO 159 (68%)

5. How do you rate your chances of becoming an RIAA victim?
VERY HIGH 0
HIGH 23 (10%)
MEDIUM 72 (32%)
LOW 129 (58%)

6. Do you believe file sharing is devastating to the music industry?
YES 53 (24%)
NO 171 (76%)

7. Do you know anyone who has received an RIAA subpoena?
YES 105 (47%)
NO 119 (53%)

8. Finally, what might stop you from illegally downloading?
CHEAPER CDS 133 (56%)
NOTHING 35 (15%)
HARSHER PENALITIES 70 (29%)

I was surprised to see that many students had no interest in downloading, because almost everyone I know in college downloads illegally whether it's software, music, or movies. But after talking to students, I found that many find the idea of downloading too "complex" and time consuming. If they really want something, they ask a friend, but most don't even bother. In the end, it appears as though downloading is extremely binary. You do or you don't. And as I learned in this survey, half do, and half don't.

RIAA vs College Students: Covering the Story on Your Campus

2007-05-20T23:34:00.000-07:00

Project Summary:
The Recording Industry Association of America (RIAA) has decided to target college students in their attempt to fight piracy. They've sent out hundreds of pre-litigation settlement letters to students who share copyrighted music. Some universities have fought to protect their students identities from the RIAA, while other schools have been compliant with the RIAA's request. This semester I decided to find out what my school's stance was on the issue. For my final PWNED class project, I wrote a guide for other student journalists wishing to cover the same topic at their own campus. It should be used as an initial research to the article and also as a resource for finding the right people to interview. The project is intended to facilitate writing similar articles for various college campus newspapers. My goal is to promote awareness of a pressing issue affecting college students nationwide.

Download PDF

The RIAA vs. College Students: Covering the Story on Your Campus
Do you work for your college newspaper or TV station and need a story idea? Well, here’s a topic most university students in the U.S. can relate to: downloading and sharing digital music. Anti-piracy commercials and campaigns are constantly telling our generation to stop downloading copyrighted work, but most students do it anyways. That’s gotten some people into trouble with the Recording Industry of America (RIAA). The RIAA is now targeting college students in their fight to stop piracy by sending out pre-litigation settlement letters. There is controversy surrounding these letters & how universities should respond. This paper is a guide to help you, a student journalist, cover the issue on your own campus.

Why should I write about it?
Most college students download music or digital files on their computers using Peer-to-Peer file sharing software. Sharing music files on P2P applications is considered sufficient to claim copyright infringement. There is an ongoing battle regarding file sharing on college campuses throughout the nation. The Recording Industry of America (RIAA) has recently been sending “pre-litigation settlement letters” to hundreds of college students they accuse of illegal downloading. Although you may not have personally received a letter or know anyone that has, it is an issue that is applicable to all college students.
As the RIAA continues sending settlement letters to various schools, it is important to understand what your University will do to protect it’s students. Many different universities have taken different approaches to dealing with the situation; some have simply complied with the RIAA by identifying their students, others have not. By investigating what your school administration’s stance is, you will be able to inform students about their legal options, appropriate ways to deal with a settlement, and even how to prevent getting into a lawsuit.

What is the Issue About?
The RIAA has sent out pre-litigation settlement letters to hundreds of unidentified parties or “John Does” they accuse of illegal downloading. The heart of the issue lies in whether the RIAA is going through a lawful process to obtain the identities of students they think are doing something illegal. The RIAA says they are sending letters to college students as a way to fight piracy. Others say it is simply an extortion campaign that takes advantage of college students and does not adhere with due process of law. They claim that Federal privacy laws prevent putting record-industry lawyers in touch with students.

How the Settlement Process Works:
The first thing that happens is that RIAA goes to a judge in order to obtain an “ex-parte” order to issue a subpoena for a school to identify certain IP addresses. What does that mean? Well, an “ex parte” decision is one that is decided by a judge without requiring all parties to be present. In this case it means only the RIAA is there. It also means that the universities receive no notice that the RIAA has gone to obtain a subpoena.
Once the RIAA obtains a subpoena from a judge it sends that subpoena to the university asking the school to match a list of IP address to particular students. An IP addresses is like an electronic address, almost like a street address, that can uniquely identify a specific computer. A University can then choose to quash the subpoena or forward the settlement letters to its students. At that point students can choose to settle or fight a lawsuit against the RIAA.

Getting Initial Information
You can obtain many of the basic facts about the settlements by simply searching on the Internet for different documents. Here is a list of some helpful documents and websites to help get you started.
1. http://www.riaa.com/ The Recording Industry of America
2. http://www.eff.org/ The Electronic Frontier Foundation. Make sure to check out their section on file sharing that includes a petition they’ve formed to stop file sharing lawsuits.
3. http://www.educause.edu/ir/library/pdf/CSD4832.pdf A copy of a Notification of Copyright Infringement.
4. www.eff.org/IP/P2P/RIAAatTWO_FINAL.pdf RIAA vs. the People, a document written by the Electronic Frontier Foundation explaining John Doe settlements

What else has been written?
Various news organizations, technology websites, and blogs have been writing about the issue. Some campus newspapers have already written articles when some of their own students received settlement letters. Check out these articles:
1. http://thephoenix.com/article_ektid38703.aspx - University of Maine
2. http://www.dailyevergreen.com/pdfs.php?date=04/17/2007&page_num=05 The Daily Evergreen
3. http://arstechnica.com/news.ars/post/20070417-ncsu-students-v-riaa-the-fight-has-just-begun.html - NCSU
4. http://arstechnica.com/news.ars/post/20070320-university-of-wisconsin-decides-not-to-pass-along-riaa-settlement-letters.html - University of Wisconsin

Interviewing
Now it’s time for interviewing! As all journalists know, it’s important to get the facts yourself… If you are at a university that has already received settlement letters from the RIAA, my suggestion is to ask students on campus if they know anyone that has received a letter. If you find out a name, talk to them!
If your school hasn’t gotten any letters that’s okay, you still have a story! It’s still useful to find out what type of approach your school will take when handling these types of cases. Call your administration. Here’s who to talk to:
1. Media Relations- they may have a statement prepared
2. Your school’s General Council- they handle all of the legal work for your school
3. The Information Technology department- They handle problems involving the school’s network.
4. The DMCA Agent- Each school is required to have a DMCA Agent who is often responsible for dealing with any copyright complaint issued to the school. Every school is required to have a link on their website to the agent. Here’s how to find it: www.(yourschool).edu /dmca

Talk to Law professors and law firms near your school. They can help you out with any legal questions you still may not understand. If you can obtain a copy of a settlement case, ask them to explain to you what each Exhibit means & how students can fight the settlements.
1. Talk to a Law Professor that teaches issues about digital rights & ask them about copyright of digital files
2. Contact a law firm that represents one of the record labels that are a part of the RIAA
3. Find a lawyer that’s fighting against the RIAA. To find one in your state, look at the Recording Industry vs. The People website… Ray Beckerman has compiled a list of lawyers to contact. http://recordingindustryvspeople.blogspot.com/#directory

Find organizations on campus know about the subject. Many student groups are interested in music rights and copyright issues. See if your school has a group, like Free Culture, that is willing to share their opinion on the subject matter.

Lastly, call the RIAA! See if anyone there will talk to you or issue a statement about the lawsuits! They’re hard to get a hold of, but if someone does talk to you, be prepared to ask questions!

Writing The Story
Once you’ve gotten both sides of the story, you can begin writing! Remember, you have a story regardless of whether your school has directly received any letters. It’s important to know what your administration is doing & what students can do to protect themselves.
By getting the information out to college students, every individual student news organization can help ensure that even if their school is not standing up the RIAA, students will know their legal rights. Most students use the Internet to download and share files with friends, and thus it is important to know what aspects are legal or illegal, how to protect themselves from a lawsuit, and how to change anything they feel is unlawful.

Final Project Interview #3 and Synopsis: Landi Guidetti on Being Sued by the RIAA

2007-05-18T14:32:00.000-07:00

Here is a summary of my final project as well as the last interview I conducted:

Summary:

After seeing the world of file sharing grow at such an incredible pace, I felt that that there was a lot to be said about the way we’ve reached this point and the future of p2p networks in general. As such, when given the opportunity to submit something creative for my final “PWNED” class project I decided to take use this assignment to answer some questions about BitTorrents, file sharing, and the RIAA.

First, there’s the source: Gary Fung, creator and webmaster of BitTorrent tracker isoHunt.com

Next is “Ernesto,” founding blogger and primary contributor of TorrentFreak.com – the premier source for news on p2p and BitTorrents.

Finally my good friend Landi Guidetti (a USC Student) offers some of his thoughts about being the target of a RIAA lawsuit.

What its like to be sued by the RIAA, by Landi Guidetti:

As a sophomore, Landi was one of the 25 students on the USC campus who fell into legal proceedings with the RIAA as a result of illegally downloading mp3’s through the university’s network. After spending the last two years dealing with this problem in private I asked Landi to share his experience and feelings with me for the purpose of this project.

*******

Part of my settlement requires that I refrain from making "any public statement that is inconsistent with any term of [the] agreement" so I will tailor my comments to this requirement, however, care should be taken so that my opinions and relentless sarcasm not be interpreted as pertaining to any part of my settlement.

As a sophomore at USC i did many of the things regular sophomores do; I downloaded music off of the internet, occasionally went to class and once in a while picked up the Daily Trojan to find out what’s going on around south central and on campus.

Mid-April, 2005 I was doing just that, skipping class, downloading music and flipping through the DT and it happened that in that days paper was an article on the RIAA's quest to make the world a better place for recording artists everywhere. The article cautioned that some 25 students at USC had not yet been notified that they were soon to be made an example of.

Call me John Doe number 23. It was like winning the lottery, I was one of only 25 lucky USC students out of everybody who downloaded music that year from their dorms, at Leavey, or some other place where SC serves as the internet provider to be recognized. I received notice from the office of General Counsel at USC that pursuant to a subpoena taken out by the RIAA's fancy team of attorneys, USC would be releasing my personal information based on my I.P. address. As a regular sophomore at USC I didn’t do what you would expect a regular sophomore at USC might do, call mom and dad and have them write a check. Instead, I called the office of General Counsel to see what they could do for me. I was a starving student weighing only 150 lbs, working in excess of 40 hrs a week in addition to a full course load. I imagined that the Trojan Network would be able to offer me some help from their limitless resources, but the best they could do was offer to send my contact info to the other lucky winners so that we could talk group strategy, and gave me the contact info for an attorney who had contacted the University about the situation. It was actually an alumina of Berkeley (not USC) who was so outraged by what the RIAA was doing that she offered to consult with and if we chose, represent myself and several other SC student pro bono (that means free- I guess SC law students skip that chapter).

My really cool free lawyer went over all the options: pay up or fight a long expensive fight for the sake of principal. We could try quashing the subpoena on a technicality (BU did this for its students- USC didn’t even try), but the RIAA would likely re-file. We could take it to court and the RIAA's fancy lawyers would seize my laptop as evidence and comb through my hard-drive and memory (costs all added to the damages). We would have to hire expensive expert witnesses (and the RIAA's lawyers would get even more expensive expert witnesses) and endure a long process that would only piss them off more, and in the end i would have to pay their attorneys fees if i lost (the likely outcome). So- there i was- a sinner among a society of civilized copyright honoring citizens. My atonement; a staggering $3,750 in 30 days (money I didn’t have, and couldn’t get in 30 days unless i resorted to less serious crimes than the one i was already charged with). So i began selling drugs, robbing the old and feeble as well as clergy, and occasionally pimping out drunken sorority girls in order to pay my debt to the suffering artists who's lives had been "irreparably damaged" by my actions. Actually I didn’t do that, I didn’t have to because my lawyer got them to settle on a significantly longer payment date, but i seriously considered it.

I admit to no crime and the suit I refer to was dismissed without prejudice but I must say how ridiculous the whole thing was. I won’t comment on the actual damages internet downloading may or may not cause artists because i am ignorant of the facts, but regardless, a settlement of $3750 for the alleged downloading of an alleged four songs by artists on labels represented by the RIAA breaks down to $937.50 per song. Suspiciously it was students at the University of Spoiled Children who were targeted, reflecting the infinite wisdom of the RIAA; steal from the rich and give to the poor.

The best part of the story is unconfirmed rumor relayed to my by my former attorney. It seems that the Trojan network had done more for me than i previously thought. Word on the street is that one of the RIAA's fancy lawyers is actually a USC alum, this clever bastard decided to use his old USC email address to log onto I2-hub (which i believe is no longer up thanks to the RIAA- Good work guys, hit the big guys up after you clean me out) and write down I.P. addresses of unsuspecting college students. Students and old lady's (you hear about that one?) should not be targets of the RIAA's lawsuits- IF internet downloading really causes the "irreparable damage" they claim they should go for the services which enable and allow this "illegal" activity. The sad part is that there IS a specific deterrence effect- a legally binding one that was part of my settlement. I am not allowed to "directly or indirectly infringe on any copyright in any sound recordings owned or controlled by the Record Companies, including by use of the Internet to download any of the Record Companies sound recordings...." But who would know if i picked up a few pirates overseas. Just kidding, I promise i won't, i really learned my lesson. Mostly i am just so sorry for downloading "All Apologies" by Nirvana. You see, my actions caused Courtney Love (who I believe still owns the rights to Nirvana) "Irreparable Damage." The 937 dollars and 50 cents I paid for that song will never be enough.

A few weeks ago I got a call from the office of the General Counsel at USC, it seems that the newest round of SC students being sued by the RIAA didn't know where to turn, and they wanted to know if they could give out my email. I got 3 emails from confused students- I tried to make them feel as bad as I could, just because that's how they are supposed to feel after committing such a morally reprehensible act, but I'm under the impression that they didn't really feel bad, and seem to think they had even done anything wrong. It's strange, but they just seemed angry, some might say angry enough to do it again, and more, but making sure they don't get caught- For example, not use USC as your ISP, or subscribe to an equally illegal and supposedly non-traceable service like the Russian 1 cent per song site. I however,
can't condone this behavior.

-Landi Guidetti

Pierson's Final Project - Chris DiBona from Google

2007-05-16T21:55:00.000-07:00

For my final project, I had the pleasure of interviewing Chris DiBona, Google's Open Source Program Manager. In the first podcast we talk about Linux and the Open Source movement. In the second podcast we talk about digital rights management and some fun obscure tech tools.

You can subscribe to the feed here: Pwned Feed. These two podcasts are both enhanced podcasts (images along with links are embedded into the podcast file) so listen to it with a player that can render enhanced podcasts.

Thanks again Chris!

Teque5's Final: AACS Decryption

2007-05-16T15:09:00.000-07:00

My final and its associated summary can be viewed here, on my site.
It is a tale of deception, heartbreak, and ultimate achievement.
It's a flash movie, so no reading is required. Enjoy.

archiPWNED - A Final Project About Architecture

2007-05-14T15:56:00.000-07:00

My final project is a library sited at the edge of downtown Los Angeles, and is an exploration of how the ideas we have been discussing in class could be expressed as architectural concepts. An excerpt from the project summary:

This project is at its heart a reaction to three essential questions about both the site and the inherent nature of the typology. First, what is the role of a library in the digital age? or, more specifically, how does a library stay relevant when its main inventory - the printed word - is marching towards obsolescence? Second, how can the public space requirement - the plaza - exert a strong presence on both sides of the site? As a primary means of urban connection across a site, it is crucial that the plaza engage and conduct people. Third, how can this project support and contribute to the development of the retail in the pedestrian alleyway? As the initial step in revitalization of the area, it is crucial that this new library development follow in those footsteps.

Link to PDF of the portfolio entry for the project with pictures, sketches, diagrams, and renderings. I think it provides a nice look at the process an architecture student goes through for a project, from start to finish.

Final Project Interview #2: Ernesto of TorrentFreak.com

2007-05-14T15:41:00.000-07:00

Here is the second interview that I conducted for my final project.

Created in November of 2005, TorrentFreak.com is a weblog that covers stories relating to all things BitTorrent: including protocol technologies, torrent search engines, and anything related to free culture. Ernesto, a resident of the Netherlands, is the sites founder.

*******

Allen: Your site blogs dozens of stories on a weekly basis. In your opinion, what was the most interesting or important story Torrentfreak has covered in the past 12 months?

Ernesto: The coverage on the Pirate Bay raid and its aftermath was very interesting and fun to do. This event had a huge impact on Swedish politics lead[ing] to the rise of pirate parties all around the world.

The BitTorrent protocol encryption that was implemented in BitTorrent clients last year resulted in another interesting series of post[s]. The developers of uTorrent and Azureus added support for encrypted transfers to their clients to bypass ISPs that started to throttle BitTorrent traffic to save bandwidth, that's where the cat-and-mouse game started. We had a discussion on TorrentFreak whether traffic shaping is good or bad, and both BitTorrent users and ISPs had some good arguments.

Apparently BitTorrent encryption is pretty effective. Last month the Canadian ISP Rogers decided to limit all encrypted transfers which affects a wide range of customers, not only the ones using BitTorrent. Sad but true.

Allen: People tend to have some polarized opinions regarding the morality (and legality) of p2p networks here in the U.S. How do people in the Netherlands feel about intellectual property rights and the idea of downloading?

Ernesto: Let me start off by making clear that filesharing and copyright infringement are not the same thing.

For example, the Dutch government is subsidizing a project that will use BitTorrent to distribute TV-shows from the Dutch public broadcasting channels, and the BBC already uses a similar service based on the BitTorrent protocol. This is a great example of how (legal) P2P services may contribute to the viewing pleasure of the public, while it saves broadcasting channels bandwidth (money).

In general I think the attitudes towards copyright infringement are less polarized in The Netherlands, mainly because the anti-piracy lobby is not as big (rich) as in the U.S. Most people will probably agree that the artists / producers need to make some money in the end. Unfortunately policy makers don't always recognize that the Internet and "digitalization" in general demand an update of the intellectual property rights. It should be more easy for individuals or small business to acquire licenses to download / distribute content online for example. People should be able to play a song from the latest Arctic Monkeys album on their netcast if they want to, this is pretty much impossible to do at the moment.

I don't think that piracy is a problem, it's more like a signal. The music and movie industry has product that their consumers want. High quality, and DRM free, just like all those pirated copies.
On a sidenote, downloading copyrighted movies and movies is legal here. However, sharing (uploading) copyrighted content isn't, and this is something you can't escape if you're using BitTorrent.

Allen: This seems like an extremely pertinent question for someone like you: what trends have you noticed in BitTorrents since you created TorrentFreak? Do you have any predictions for the future of torrents or p2p in general?

Ernesto: BitTorrent became extremely popular over the past two years. Five BitTorrent sites are currently listed in the Alexa top 500 of the most visited websites on the Internet, and a dozen other sites in the top 2000.

BitTorrent is becoming mainstream now. Hardware manufacturers ... create devices that directly download .torrent files, Apple has plans to distribute updates and software via BitTorrent, BitTorrent Inc opened its media store and TV and Movie producers are interested in the technology to distribute their products.

BitTorrent or variations of applications and services that use similar P2P technologies will probably continue to grow in the future. The technology itself will become less visible, and it will be implemented and all kinds of user friendly services and application. So, most people will use P2P services in the future without even noticing. Piracy on the other hand will become less and less popular as soon as high quality legal alternatives become available. Personally I think that piracy is at its greatest height right now, that is, if the music and movie industry are willing to change.

Allen: How do you go about collecting the data for the weekly "Most Popular DVDrips on BitTorrent" posts?

Ernesto: I collect data on all the popular movie torrents that are tagged as a DVDrips on several BitTorrent trackers. The titles with the most seeds and peers (all the people that download and / or upload that title) end up in the list. The list is very sensitive for new releases because these tend to be very popular the first days after they are uploaded.

The method we use is not perfect, but I'm pretty sure we are more accurate than services like BigChampagne and Infofilter who claim that they provide accurate charts.

Allen: My friends and I have followed the entire Sealand story with thePiratebay pretty closely. What do you think of that entire saga?

Ernesto: The Pirate Bay knows how to cause a media stir. People who believed that they were actually going to start a new nation are a little naive to say the least. The Pirate Bay is a publicity machine, and (besides being the biggest BitTorrent tracker) they do very well at making the news. I've talked to Brokep, one of the admins of the Pirate Bay and he told me that they have their eye on an Island that they will try to buy in the near future. They are certainly not keeping the money for themselves. It just takes a while to find a cheap island. Sealand was just too expensive

Allen: Your site has a pretty clear stance with regard to DRM. What would you say to someone in the film or music industry who thinks they can protect their content with a DRM wrapper?

Ernesto: It only takes 1 person to crack the DRM and put a DRM-less copy online, that makes it pretty useless. I really can't see the benefits of DRM, it's only hurting the honest consumers. I buy all my music online (unlike most people might expect) but the first thing I do when I've bought a track or album is remove the DRM. Not because I'm sharing it on P2P-networks, but because I want to listen to the music whenever and wherever I want.

Allen: Which torrent search engines do you regard as the best? Why are they the best? Do you have any personal favorites?

Ernesto: I like torrentz.com and mininova.org, both sites are clean and reliable.

Allen: What would you like to see done (steps, events, etc.) towards the promotion of free culture around the globe?

Ernesto: First we need to get rid of DRM ;). Secondly, copyright laws need to be adapted the digital age, and a flexible licensing model that suits the Internet needs to be developed. The less restrictions the better.

Bloggers and the MLB

2007-05-13T23:13:00.000-07:00

Before this semester, I had never taken an interest in online communities or blogging. After participating and contributing to the blog that we kept up in class, I decided to check out other blogs in my field of interest: sports, particularly baseball. So after doing some online research, I found quite a few blogs that I found to be credible and substantial about the Los Angeles Dodgers.

During this same semester, I took a sports public relations class where we learned about the process of credentialing members of the media. Through this class and other research I learned that the National Hockey League is the first sports league to allow bloggers game credentials. I then questioned whether or not bloggers receive credentials to baseball games. After research, and speaking with public relations directors for 2 particular baseball teams, I decided to create a presentation that would give detail on the online blogging community and how sports teams such as hockey teams are benefiting from bloggers. I also compared the success that the DNC and RNC had with allowing bloggers to sit at the media tables during the conventions, to the benefits of allowing bloggers to gain credentials for baseball games.

The presentation I put together explains the role bloggers play in sports right now, and how the MLB could benefit from allowing bloggers to acquire game credentials.

The teachingcopyright.org Launch Manifesto

2007-05-12T03:38:00.000-07:00

In America, laws describe how freedom should work--but for the most part, we understand that freedom in America is really an idea with flexible definitions and many, many ways of being expressed. Similarly, we use copyright laws to describe how creativity should work in our society.

The California State Legislature passed a law requiring the teaching of copyright in schools applying for technology grants, and I raised an eyebrow... Maybe even two eyebrows. When we teach the idea of freedom through the study of documented laws, like studying the Bill of Rights, we're at our best when we teach that freedom works in diverse ways for different groups of people. So the same should go for copyright--if we're going to be teaching the idea of creativity through the study of laws like copyright, then we'd do well to take the same route--teach that creativity works in a lot of different ways for different people.

But I'm worried that that's not going to happen, and I'm not the only one. I worry that a generation of smart California kids, all attending schools ambitious enough to embrace technology, are somehow going to fall short of learning about creativity--that creativity's primary motive is profit, or that profit from creativity can come only through ownership. Those views may have been true in the past, they probably have some relevance today, but there are other ways of thinking about creativity, how it works, and how humanity benefits from it.

Although requiring copyright education is currently just a California law--there will be more and more reasons to teach about copyright in schools. Creativity through technology is a powerful theme for the beginning of this new century--the proliferation of tools used to create and manipulate words, pictures, and video has played a crucial role in democratizing creativity.

So I'm launching teachingcopyright.org as a tool to help teachers and administrators learn, talk, and teach copyright. Laws are a noble attempt to give strong ideas a living presence in our daily lives--but we fail to educate when we just describe laws and not the strong ideas that inspired them.

Educator, academic, or otherwise--please visit the site, comment on the blog, and help to build a strong body of knowledge for teachers to build upon. Creativity drives our human universe of industry, entertainment, and achievement--so let's get this copyright thing right.

vosotros: music for you-all

2007-05-11T19:20:00.000-07:00

For the last several months, I have been working closely with Gabe Noel to develop our contribution to the tumultuous world of online music. Initially we set out to start our own record label, however, the more we examined the reality of digital music and the changing face of the industry, it was clear that we needed to take a different approach.

I met Gabe in 7th grade Spanish class in Chicago, where by comes the origin of our name. Vosotros is a Spanish verb conjugation roughly meaning “you-all.” But since it is only used in Spain, the vosotros form was always ignored, which quickly became an ongoing joke between us.

The dynamic of our relationship is as follows: as a multi-instrumentalist and composer, Gabe has an endless supply of musical ideas - it is my job to help synthesize these ideas and make them accessible to you-all. Early on in the project, we had discussed releasing a compilation of Gabe performing across a variety of genres. This idea eventually led us to our current focus: a live monthly showcase (vosotros presents: live@land) and a complimentary podcast (vosotros presents: the lazy susan).

Each month, Gabe forms a new band among friends. They record a song together for the podcast and then perform for the first time at that month’s show in Little Tokyo. Each of these songs are released with a non-commerical, attribution, share-alike Creative Commons license and are available for free download from our website and via iTunes. Additionally, every band that performs at LAND releases a song through the Lazy Susan as accoutrement. Our hard work on this aspect of the project has been rewarding and has served to build a small community of vosotros supporters.

Although we will continue to support the podcast and live@land concert series, we are preparing our first full-length release as a label: Quiet Orchestra. Quiet Orchestra is a 12+ piece electric ensemble. The group came together for the first time in early March, recording a full album over the course of two days. The project will be released digitally later this summer and will include both music and film. As we discussed heavily in class, the biggest challenge will be trying to balance the promotional benefits that Creative Commons provides with the reality that the project is also available for sale. Cory has shown it can work for books - and I intend to make it work for music.

Enhanced Podcast: DJ Drama & The Mixtape Industry

2007-05-10T21:15:00.000-07:00

DJ Drama & The Mixtape Industry DOWNLOAD LINK

HERE is a link to the slides in MUCH higher quality.

Hey everyone... I decided after seeing the presentations last Tuesday that the coolest way for me to present my final was also an enhanced podcast. It's about a topic by which I have been intrigued all year, that is, the mixtape industry and how it relates to the RIAA. I go into a fair bit of detail about what a mixtape actually is (It turns out most people have no idea), talk about the arrests of DJ Drama and DJ Don Cannon, and the RIAA's role in all of this.

I also conducted a brief survey about mixtapes and how (mostly) college students feel about them, especially in relation to traditional studio albums. If you don't have the time to watch and listen, the basic conclusions are that barely anyone knows what a mixtape is, let alone downloads them.

A couple notes:

1. Sorry about all the background noise... I wound up having to record this with the internal mic on my laptop; that's the fan spinning.

2. When I say the raid happened on January 2, I really mean January 16.

Hope you like it!

White Paper on SCA Copyright Policy

2007-05-10T19:49:00.000-07:00

For my end of the year project I wrote a white paper critiquing USC School of Cinematic Arts' (SCA) copyright policy (found here - PDF) as it represents a non-academic and corporate approach to content ownershipthat is detrimental to both SCA students and SCA itself.

The white paper (PDF) focuses on understanding SCA's current policy, why it must change its IP policy on a very basic level, and finally why adopting Creative Commons licences presents SCA and it its students with a myriad of positive outcomes. The paper contains important information that isn't discussed on a regular basis with the SCA student body, hopefully acts as a valuable resource for these students in helping them contextualize their rights to ownership.

If you guys agree ideologically, please don't forget to sign the petition online asking SCA to change their policy.

Interview with Gary Fung - Creator and Owner of isoHunt.com

2007-05-10T16:37:00.000-07:00

As part of my final project for our course I interviewed a series of interesting people to find out their thoughts on peer-to-peer networks and file sharing. My first interview was with Gary Fung, owner and administrator of isoHunt.com

Here is the transcript of our interview.

********

Founded in 2003, isoHunt is a BitTorent search engine currently ranked at 330 by Alexa.com’s web-traffic statistics. In February of 2006 isoHunt because the target of legal proceedings by the MPAA. Gary Fung is the creator and owner of isoHunt.com

Allen: What is the daily routine like for you and your staff? With a site as massive as isoHunt I would imagine you have a lot of things to take care of a regular basis.

Gary: Making sure servers haven't vanished. Maintainence on the search index. Handle requests from copyright owners. Advertising sales. Legal issues. When there's time left, R&D on web development.

Allen: Can you describe what the current situation with the MPAA suit against your site?

Gary: My depositions and other staff will be in May next month. Summary judgment by August and trial on September. I'm hoping to arrange a settlement meeting with the MPAA before August. Because as big as the MPAA conglomorates are, they must realize that they can't make everyone on the internet and their potential customers criminals. I would like to negotiate a middle ground for that, between media production, distribution and consumption.

If the court allows, I'd like to start blogging our case beginning with recordings of our depositions. I believe transparency into our case would be useful for our site visitors and the general public.

Allen: Why is operating your project worth the hassle of dealing with DMCA take-down notices, ISP suspensions, and lawsuits in general? Is it the money? The community? Something else?

Gary: The community, the money, and most importantly, developing technologies for sharing is something I find most interesting and fulfilling.

Allen: You continue to honor take-down requests in DMCA fashion even though your servers are located in Canada. Why is that?

Gary: Our copyright policy based on the DMCA has served us and copyright owners who worked with us well (except some oddballs like the MPAA), so I don't see a reason to change it. If a copyright owner sees links to his material on P2P networks that he doesn't want to see, I believe it's fair to offer him discourse and process for taking down those links.

Allen: Obviously, the decision as to what to download is entirely up to those visiting your site. Ideally speaking, how is it that you want visitors to use isoHunt? That is, does it matter to you whether users are downloading illegal or freely distributable content?

Gary: We develop a tool for accessing BitTorrent and P2P resources, and shape that tool to both the wishes of content owners and consumers from the technological and filtering perspectives. For example, making search faster, more relevant, provide more useful and accurate statistics, while the open nature of our search engine means copyright owners can relatively easily send us lists of links for verification and takedown. RSS feeds for every search query also help in that process, for both content owners and consumers alike. How that content is distributed and consumed is up to the market to decide, although I try to nudge that market in directions that would keep most parties happy.

Allen: What sort of progress (both technical and non-technical) do you expect to see in torrent search engines and torrent clients in the future? Is there anything in particular that you would _like_ to see?

Gary: Trackers themselves should become more distributed, so operation of a tracker is no longer a technical or operational burden for a content distributor. Fakes and spams of garbage files are also an increasing problem polluting BitTorrent networks, a collaborative effort between site and tracker operators against them would be useful.

Allen: If you were in the RIAA or MPAA shoes how would _you_ handle the situation with regard to peer-to-peer technologies and torrent search engines? In other words, what should these organizations be doing differently to protect their interests?

Gary: I would work with technologists in the P2P markets towards two things. One, collaborate on what's the most efficient way to streamline the request, verify and takedown process in curtailing links to unauthorized P2P distribution of my content. Two, distribute my content directly on P2P. Business models can include ads in TV episode downloads, pay to download higher quality encodes, faster transfers and no ads, use DRM for a rental and try before you buy model. With new technologies, there needs to be new business models around them. Fighting new technologies to make old models valid is not the way move forward.

Allen: Lastly, in terms of searching power and content there's no question that isoHunt roXX0rz it hardcore prono style, but the site does seem to be lacking a bit in aesthetics. Are there any plans to change the site's design anytime soon?

Gary: Ask Google the same question. Answer is no. I like it simple and efficient ;)

Although new features are coming that will require interface changes.

Want to sell your CDs? I'll need your fingerprints.

2007-05-07T11:48:00.000-07:00

New pawn shop laws springing up across the United States are threatening to make the process of selling used CDs back to willing record stores significantly more complicated. All to make sure that record stores aren't buying counterfeit CDs - as if this were a serious problem.

In some states, for a seller to make a sale to a record store, the store will be required to take the seller's fingerprints and personal information. In Florida specifically, many record shops are getting out of the used-CD business because they don't want to have to pay the 10,000 dollar bond for the right to interrogate their customers every time they want to sell back a Linkin Park CD.

To give some perspective, in Florida, Utah, Rhode Island and Wisconsin it is more of a pain to sell a used CD than it is to get a driver's license.

This appears to be a growing trend in the United States. Media "producers" control the laws, and because of this we are entering media lock-down. Gotta have every penny, I suppose.

(via ars)

New Google Search Interface?

2007-05-06T14:20:00.000-07:00

From the "Because it is so much easier to search for something then type in the URL" category.

I was searching for In-n-out... a great California institution (you must order "animal style fries") and was greeted with what seems to be Google's new search interface. It is interesting that there are no ads (unless of course my ABP gets rid of them). I rather like the new interface, it seems cleaner and has that nice updated look.

Edwards and Obama Request Creative Commons licensing for Democratic Debates

2007-05-05T05:24:00.000-07:00

Lawyer, academic, and Creative Commons founder Larry Lessig posts Obama's request to the DNC for public domain/CC licensing for the debates, then posts John Edwards' letter roughly 12-hours later.

UPDATE: BoingBoing blogged on the decision that "CNN debate coverage will be made available without restrictions at the conclusion of each live debate." No word yet as to what video file formats they're planning on using.

AACS Fiasco Wikipedia Roundup

2007-05-05T03:48:00.000-07:00

After having a few days to percolate, Wikipedia's talk pages are now a tantalizing soup of arguments regarding the AACS processing key fiasco. The main debate attempts to resolve the question of "to publish or not to publish," although the discussion spills onto other intriguing topics as well, such as, "Are the hits on a Google search original research?" ("No original research" is one of Wikipedia's few content policies dictating what is acceptable for inclusion in an article.)

Talk page for "AACS encryption key controversy"

An argument for:

It would be a valuable addition to the article. In fact, it is the very subject of the article. If you don't know the number, this article doesn't tell you what it is. Likewise, a person who sees the number in an unconnected context currently has no way of relating it to this article.

An argument against:

It would be an unnecessary legal risk. Publishing the number may be illegal (see the EFF's article, for example), and could potentially cause Wikipedia to be sued under the DMCA. [...] Even if the chance of legal action is unlikely, and hasn't happened so far, why take the risk? Wikipedia would gain little by including it, and potentially has everything to lose. The risk just isn't worth the benefits.

Also consider taking a look at The Wikipedia "Administrators' noticeboard,"which contains an admin-only discussion about the posting of the key. The administrators seem more fearful of the potential legal consequences, which demonstrates how powerful of a censorship device the DMCA can be.

The New York Times Weighs in on the AACS Fiasco...

2007-05-03T01:28:00.000-07:00

...and posts a direct link to a YouTube video where the code is sung! They were probably comforted by this:

However, with thousands of Internet users now impudently breaking the law, Mr. Sprigman said that the entertainment and technology industries would have no realistic way to pursue a legal remedy. “It’s a gigantic can of worms they’ve opened, and now it will be awfully hard to do anything with lawsuits,” he said.

They didn't mention us, though, which makes me sad.

Article.

Did our class indirectly cause the Digg revolt?

2007-05-02T15:46:00.000-07:00

Let's take a look at this simplified timeline:
Before class 3:30pm (see picture at right you may need to click on it to enlarge it). There are 2 stories of interest "AACS licensing authority censors Cory Doctorow's class blog" on the main section and on the Top Stories section "Google & blogs issued with AACS Cease & Desist"

Then... people saw these take down posts and started posting the code which caused Digg to remove the posts, comments, and users which then rolled into the massive revolt which caused the first 3 pages of Digg to be filled with the code.

What do you think?

Digg Melts Down Over Alledged HD-DVD Censorship

2007-05-01T22:19:00.000-07:00

So, it is 10 pm on Tuesday and Digg is facing a user revolt that could bring the whole system down. I can't quite pin down what ignited this firestorm, but as far as I can piece together, a couple of posts about the HD-DVD consortium and DMCA takedown notices were either removed or had their digg counts reset, along with the deletion of the accounts of the diggers involved. Right now there are more than two dozen consecutive stories on the front page, mostly jokes, all containing the "banned" hexadecimal key. It is an absolute madhouse.

UPDATE: ...and now digg is down. I'll keep you updated.

UPDATE #2 (10.40 PM): Digg is back up, and my initial estimate was a little, ahem, low. The number of key-related stories is now at 82. Crazy.

UPDATE #3 (11.00 PM): Here are some example posts:

All your base are belong to us. **KEY REDACTED** You have no chance to survive make your time.

Four score and seven years ago...**KEY REDACTED**

UPDATE #4 (11.10 PM): Digg is down again.

*** UPDATE #5 (2007.05.01 23:41:49) by Teque5 ***
Just so you know, this story is all over the ocean of subculture. You cant look 2 minutes on 4chan or YTMND with this code popping up.

Also, I put it up on my own website also. Nothing can stop the masses.

*** UPDATE #6 (2007.05.02 00:12:38) by Teque5 ***
Digg is back up with their own notice. Also, there is now a song and a few sites about this.

2007-05-01T15:25:00.001-07:00

We're on Digg!

2007-05-01T15:16:00.001-07:00

This has been a great semester... not only are we on Digg but we also got a take down notice... what could be better?

Google Will See You In Court, Viacom

2007-05-01T12:52:00.000-07:00

Remember that little $1 Billion lawsuit Viacom filed against YouTube for "massive" copyright infringement? Many web pundits saw this as the first step on the long road to an eventual licensing deal, but today Google answered by declaring their intentions to fight it out in front of a jury:

"Viacom's complaint in this action challenges the careful balance established by Congress when it enacted the Digital Millennium Copyright Act," the answer reads in part. "By seeking to make carriers and hosting providers liable for Internet communications, Viacom's complaint threatens the way hundreds of millions of people legitimately exchange information, news, entertainment, and political and artistic expression."

Google's even hired some "ace trial lawyers" to help litigate. The spokesperson sounded quite confident in their decision to forgo negotiation, adding that Google is "more than happy to litigate. I don't view that as a business negotiation."

AACS censors Pwned blog

2007-04-30T12:09:00.000-07:00

I just censored Teque5's post about the AACS processing key. I received a legal threat from the AACS licensing authority, promising a lawsuit if I didn't removing the processing key and the link to the Doom9 forum.

On advice from lawyers, I've censored this material off the post. However, Google maintains a list of over 100 sites that link to the Doom9 post, including one from Boing Boing.

DVD Ripping Ruled Legal?

2007-04-30T01:57:00.000-07:00

In the closely watched Kaleidescape case, the court ruled that it is legal to rip DVDs to a central server.

The judge declared that "nothing in the [DVD CCA licensing] agreement prevents you from making copies of DVDs. Nothing requires that a DVD be present during playback."

But the CEPro article warns:

Because of this ruling, the Judge did not have to get into copyright issues, so the Kaleidescape ruling has no copyright implications. It is not a statement on the legality of ripping DVDs.

However, I'm a little confused. If the ruling doesn't mean that ripping DVDs is legal, then what does it mean? Note that in contrast to the CEPro article, the /. article claims that the ruling does legalize DVD ripping.

PWNED Blog Post Included in DMCA Takedown Request

2007-04-29T12:20:00.000-07:00

See for yourself.

After following a Reddit link, I quickly saw that Teque5's post "Holy Grail Located: HD-DVD and BLU-RAY Processing Key Found" is included in a list of four different sites/posts that the AACS Licensing Administrator is targeting for the "Illegal Offering of Processing Key to Circumvent AACS Copyright Protection." Google is the recipient of the takedown request dated April 17, 2007 and all the other offending posts are part of the blogspot.com domain. At the time of this writing, the other three posts have been removed.

Google's letter to one of the bloggers says that Google will forcibly remove the offending posts by April 29th, but also inidicates that a counter-notification process is available.

The grinding irony here is that the DMCA takedown notice itself includes most of the processing key in the second URL.

Film Lobbyist Jack Valenti Dies

2007-04-26T22:32:00.000-07:00

Jack Valenti, known within the PWNED circle for describing the VCR as the Boston strangler of the American film producer, died on Thursday of complications arising from an earlier stroke. The powerful lobbyist has inspired a cornucopia of obituaries--some sweet with praise and others sizzling with the flavor of long latent controversy.

Valenti, president of the Motion Picture Association of America from 1966 to 2004, is also remembered for having fathered the modern movie ratings system, acting as an advisor to Lyndon Johnson, and for being an irrepressably grandiloquent speaker.

New music distribution vendor gets partially shut down by RIAA

2007-04-24T14:46:00.000-07:00

AnywhereCD is a new music distribution vendor that just started up in April. Here's how it works. You purchase a CD for $12. The CD is sent to you, and you are allowed to download a DRM free MP3 version of the CD you just bought. There is also a second option, and this is what got them in trouble. The second option is that you can decide to purchase just the MP3's for $3 less than adding on the CD. The RIAA filed a lawsuit against the company, and they caved in, dropping that option.

This is just another example of how the RIAA is shooting itself in the foot. Instead of shutting down this ingenious new music distribution ventures, they should embrace them, and work with the companies to maximize profit. The RIAA is still living in the 2oth century, and unless they warp into the 21st soon, they are going to be left behind.

2007-04-24T14:35:00.000-07:00

This is an interesting survey taken by p2pnet regarding what the public thinks about online music sharing. The poll surveyed over 1000 visitors to the website. The results are not unexpected. 94% of those surveyed replied that the RIAA's efforts to dissuade users from downloading music through lawsuits does not have a deterrent effect. Furthermore, more than 90% believe that music sharing does not negatively affect the recording industry. To bolster this view, an expert hired by the RIAA to analyze the effect on the industry reported that "Downloads have an effect on sales that is statistically indistinguishable from zero. Our estimates are inconsistent with claims that file sharing is the primary reason for the decline in music sales during our study period."

Although the results from this poll may be skewed because of the participant's anti-music industry views, it still has some merit. It demonstrates a majority of the public's view that music sharing is here to stay barring some different deterrent from the RIAA. However, with experts saying that music sharing does not affect the RIAA's bottom line, it will be hard to persuade this skeptical public to stop sharing.

Yahoo! China found liable for linking to sites with "pirated" songs

2007-04-24T14:02:00.000-07:00

The International Federation of Phonographic Industries sued Yahoo China because their search results linked a page with 229 pirated (whatever that means) songs and won. Today, the No. 2 Intermediate People's Court (China's, not Judge Wapner's) awarded $27,000 to the IFPI, which was much less than the $700,000 they asked for, but they were nonetheless found liable for linking to a third party site!

Yahoo plans to appeal, and the IFPI might, too! "We are considering our options with the damages, whether we will appeal or not," the federation's regional director said.

So let me get this straight... They might appeal to be awarded MORE damages?

Article on Newsvine

See the Sun in 3D!

2007-04-24T13:33:00.000-07:00

I just thought this was super cool. NASA just released the first 3D pictures of the sun on Spaceweather.com!! It's all thanks to NASA's twin spacecraft named Stereo.
YOU CAN EVEN GET SPECIAL 3-D GLASSES TO MAKE THOSE PICTURES EVEN MORE VIBRANT!!

Evil Tech: Who's to Blame?

2007-04-24T13:23:00.000-07:00

The Dana Centre in London is hosting a public debate about the future of robotics and society; and a recent article on BBC.com
highlighted one of the major issues to be discussed: increasing autonomous capabilities of robots and the possible consequences. It's a bit of a stretch, but i think questions of accountability such as ""If an autonomous robot kills someone, whose fault is it?" sort of relate to controversies in the realm of copyright and technologies that can infringe on copyright. Should we blame people who invent technology for instances where that technology was used for evil (read either killing people or copyright infringement). Copyright holders who want to protect their work are put in a pickle when other people use their protected work in subversive ways; and I don't a clear line can really be drawn between where credit turns into blame.

Obviously it's a bit different because with robots, there is no intervening arbiter...yet. So the onus is on the designer. But "as robots become more autonomous that line or responsibility becomes blurred."

This makes me very uncomfortable. Especially put in the context of military operations. Cool fact (...er) "Samsung has developed a robotic sentry to guard the border between North and South Korea. It is equipped with two cameras and a machine gun."

How apocalyptic is that?

Amazon is ALMOST Ready to Launch Music Store (with DRM-Free Content)

2007-04-24T13:08:00.000-07:00

Cory already posted about this on Boing Boing before I was even awake, but oh well...

It looks like Amazon is all set to launch their online music store some time next month. Apparently they are planning to do so without DRM protection, so it is most likely that most of their catalog will come from EMI and independent labels. There is also word of a partnership between Amazon and Universal to sell classical music without DRM. Considering the fact that Universal is the #1 record label, if this little experiment works out, good things could be in store for all labels and all genres.

"Bring it on, iTunes" at Ars Technica
"Amazon set to launch online music store" on Times Online
"Why an Amazon DRM-Free Music Store Would Be a Game-Changer" on Medialoper

RIAA v. Foster -> Judge says RIAA must pay Foster's Legal Fees

2007-04-24T13:06:00.000-07:00

In a landmark ruling, Judge West has decided against the RIAA in trying to rope Foster in as a secondary to copyright infringement. He decided today that the RIAA (Capitol) must pay her legal fees. Surely this will be appealed however one can hope that it will be thrown out.

From Ars:

A federal judge has denied the RIAA's motion for reconsideration of his attorneys' fees award in Capitol v. Foster. Calling the RIAA's motion for reconsideration one of "very limited appropriateness," Judge Lee R. West found fault with just about every one of the RIAA's arguments.

Ars

Blogger Perez Hilton Sued

2007-04-24T07:46:00.000-07:00

Blogger Perez Hilton was sued today in federal court by five photography agencies. They're saying he used their shots on his Web site without their permission.
Hilton was sued for copyright infringement, unfair competition and civil conspiracy by Splash News and Picture Agency, Bauer-Griffin Inc., FlyNet Pictures, Insight News and Features and London Entertainment. The photo agencies say he regularly posts their photographs of celebrities without paying for them, and then profits from the images by selling ads on his site. Does this mean that they're going to start going after every blogger that uses celebrity pictures... or just the famous ones?? In November, he was sued by photo agency X17 for posting shots without permission, and in February was sued by Universal for posting an image of a topless Jennifer Aniston. This is my roommate's favorite website... hopefully he'll still have celebrity pics up or else she'll have a fit! Poor Perez.

What I Did With the Neuros - OSD FTW!!!11!!

2007-04-23T22:36:00.000-07:00

In contrast with the other reviews presented in class, my experience with the Neuros OSD device was phenomenal. I used it to do a lot of really fun and interesting things, such as:

recording live video through my t.v.
recording live gameplay video off of my Xbox 360 and Wii
playing music directly off of my flash thumb drive / sd card / external hard drive
play videos off of the external hard drive and on my apartment's network

Here's a look at my setup:

The setup and user interface was super easy. I had the entire thing out of the box and ready to go in a matter of minutes. Also, here's some video of me and my buddies playing Rainbow Six: Vegas over XBOX Live. You would not believe how excited I was for the opportunity to record my L337 pwnage skills in real-time.

Buy a Real Life "Digg it" Button Creation Kit - Help the EFF at the Same Time

2007-04-20T03:10:00.000-07:00

Ever wanted to digg IRL? Well, now you can. Purchase a digg button kit here and $1 of your $15 purchase will go to the EFF. Sounds like a sweet deal to me!

The Digg button is a very simple beginner electronics that teaches how to solder and program microcontroller. Once made, this basic electronic project mimics the popular Digg.com website: each time you push the button, the button flashes "Dug" and increments the counter up to 999 "diggs". The project is completely open source, and documented here including parts list, schematics and code. For those who don't want to try to chase down the electronic components, we have a full kit ready to go in the Adafruit webshop.

...

For every sale of the Digg button kit we're giving $1 to the EFF (Electronic Frontier Foundation). The kit is currently in its first release; new colors and other projects will be available. We even have a plan for making it interface directly to digg.com! (Stay tuned...)

Coolness. You get a digg button, some innovative people get rich, and the EFF gets paid. That's right, everyone wins.

Photo: Scott Beale / Laughing Squid

via digg.

Wikipedia Time Lapse - VT Massacre

2007-04-20T02:57:00.000-07:00

An amazing (yet very sad) showcase of the incredible nature of Wikipedia.

Via digg.

Link to Ferrell's video

2007-04-19T00:07:00.000-07:00

I posted on Will Ferrell's internet video on funnyordie.com last week...here's the link for those of you who haven't caught it yet:

http://sjl.funnyordie.com//v1/landing.php

Google CEO Schmidt: "YouTube Close to Filtering System"

2007-04-18T21:42:00.000-07:00

In our earlier discussion about video filtering on social video sites, many were quite skeptical about how a system could analyze every upload against every copyrighted work (at least from major content providers). If Google CEO Eric Schmidt is to believed, they are "very close" to such an implementation:

The new system, which Schmidt called Claim Your Content, will automatically identify copyright material so that it can be removed, Schmidt said.

"We are very close to turning this on," Schmidt said.

The filtering system was supposed to have launched last year at YouTube, which Google acquired for $1.6 billion in October 2006. Delays in rolling it out have angered movie and television executives. Executives at NBC and Viacom have accused Google of dragging its feet on preventing YouTube users from uploading clips from hit shows and movies.

Interesting, but I wish we had some sort of idea of the technical workings of the system. I doubt, however, that we'll see that info for fear of a workaround.

Link.

Only 244 copies of Genuine Windows Vista sold in China

2007-04-18T18:38:00.000-07:00

In an ironic twist (that just about everyone saw coming) Microsoft's multi-million dollar Vista ad campaign in China has paid off with an amazing 244 sales of genuine Windows Vista in that country.

As the source reports, pirated versions of the operating system are being sold on the street for a mere $1.

Tough to compete with that.

via digg.

Will Ferrell's internet video

2007-04-17T15:23:00.000-07:00

Last week Will Ferrell starred in a homemade Internet video on FunnyOrDie.com. The film was created in part by writer-director Adam McKay, who said the film was not involved with any corporate entity at all.

The video took 45 minutes to make and featured Ferrell and McKay together "just screwing around." The production company McKay founded set up FunnyOrDie.com as an easy way to showcase short-film ideas of themselves and less-established filmmakers as well.

Jeff Stern, CEO of Daily Reel, expects a lot more videos like this to pop up starring celebrities because it's a "low risk, high reward venture"

Is Hollywood freaking out right about now? I think so.

From: LA Times

Spiderman 3: Webisode Contest Encourages Remixing

2007-04-17T14:57:00.000-07:00

Target has teamed up with the creators of Spiderman 3 (and it's hip-to-the-youth-culture marketing department) and jumped on the student-film-maker/youtube bandwagon with their "Spiderman 3 Make Your Own Webisode Contest" and sweepstakes.
It's cool that they're explicitely allowing people to mess with their copyrighted materials, but sort of sad that, predictably, there are also so many restrictions on what is "fair game":

WEBISODE COMPETITION
Overview. Eligible entrants compete for prizes by submitting an originally created
video portraying the Spider-Man character (and, at their option, other authorized Spider-Man movie villains) in
an audiovisual presentation in a digital format, including but not limited to pre-recorded video, instantaneous
webcam recording, claymation, or animation (“Webisode”) that the entrant submits to the contest site located at
target.com/spiderman3 (the “Contest Site”). Sponsor hereby grants permission to each eligible participant in
the Webisode Competition to portray the Spider-Man character, and the authorized Spider-Man movie villains,
and to use the approved music tracks, sound effects and background imagery provided on the Contest Site to
create his or her Webisode(s), subject to these Official Rules and the Waiver (as defined below)...

1 iv. Their Webisode complies with each of the following requirements:
• It must portray the Spider-Man character.
• If the Webisode includes any characters other than Spider-Man, it may ONLY portray (a) one
or more of the following approved Spider-Man movie villains: Green Goblin, Doc Ock,
Sandman, Venom, and/or New Goblin; and/or (b) other characters that are the original, sole
and exclusive creation of entrant.
• If the Webisode includes any music, only the music provided on the Contest Site may be
used.

etc. etc.

What I'm wondering, is what happenst to the poor guy who works so hard on his webisode, accidentally uses a character not pre-approved or a song other than whats provided...Will he be merely disqualified or prosecuted?

Canadian DMCA on its way

2007-04-17T14:07:00.000-07:00

According to the Canadian newspaper Hill Times, the Conservative government will introduce copyright reform legislation bringing Canada much closer to the USA in terms of copyright protection.

The crux of the bill calls for tougher anti-circumvention laws, which make it illegal to work around or circumvent DRM. As a result, this outlaws products like "mod chips" and other hacks. Oddly enough, an exception is made in the bill for free access to web-based materials.

Unfortunately, if this bill passes, it will cater directly to the U.S. Government and the Canadian Recording Industry Association, by further encouraging the use to DRM.

Hopefully the Canadian anti-DRM activists will be as vocal as those in the US.

http://www.michaelgeist.ca/content/view/1875/125/

NC State Defends Students

2007-04-17T13:19:00.000-07:00

NC State is taking a stand against the RIAA and protecting its students. Pam Gerace, the director of Student Legal Services at the University, is the one taking chrage on the matter:

[Gerace] is warning students to remain anonymous because the RIAA has said that it will make sure that their job records are blighted.
Since this is so out of proportion to any copyright protection problems, it was dangerous for students to put their hands up and admit anything. She told the Technician Online that this could prove dangerous for the students, as the RIAA could pursue other legal actions or give the names to record companies.
She said the RIAA implies that cash must be handed over right away, when this is not true.
The outfit has also been changing the number of songs it thinks have been nicked and how much students should pay, which makes it sound like they are making it up as they go along, Gerace said.

Wow. A university that stands up for its students. How refreshing.

Ubiquity Means Popularity (Obviously)

2007-04-17T13:10:00.000-07:00

Techdirt posted an article yesterday pointing to a new study that aims to prove that 'popularity begets more popularity' and that obscurity is one of the main factors that inhibits popularity. Therefore, the implication is drawn, lesser-known artists should give their product away for free (in doing so becoming more popular that will mean more popularity that will snowball into a popularity landslide and they will eventually be the most popular person ever).

Nothing too suprising, but its nice to have facts and figures to back up opinions.

Time to Scrap the Internet and Start Over!?

2007-04-17T10:30:00.000-07:00

Perhaps I'm out of the loop, but this is the first time I've heard of such a thing: Researchers at several universities (as well as nameless and faceless members of the Department of Defense) are proponents of a type of "clean slate" initiative, basically a rebuilding of the internet intended to address issues of stability and security. Of course, these ideas—should they be supported financially and otherwise—would take over a decade to manifest themselves in any meaningful way, but there are already working prototypes:

Princeton already runs a smaller experimental network called PlanetLab, while Carnegie Mellon has a clean-slate project called 100 x 100.

I wonder if Wikipedia has any info on these two projects...

Link to AP article (on the Ocala, FL Star-Banner website... People on Reddit link strange sites)

Next Version of Flash to have DRM

2007-04-17T00:48:00.000-07:00

The BBC reports that Adobe is planning to release their next version of Flash with two new features. The first feature will allow content providers (YouTube) to embed ads within videos and then make it mandatory to watch those ads. There will be no provision to right click and select fast forward. Also, Adobe will be adding in DRM which will allow those same content providers to make sure that their media only plays where they deem it OK to be played. When you couple these two new additions, web sites will be able to dictate where, when, and how you watch their content (after you have watched their ads).

BBC

Copyright Royalty Board Denies Motion for Rehearing

2007-04-16T21:34:00.000-07:00

From RAIN the Radio and Internet Newsletter:

The Copyright Royalty Board, a three judge panel responsible for the March 2nd ruling that set webcast performance royalties at their new increased rate, has denied all parties' motion for rehearing of the ruling.
The Board claimed that the motions introduced no new evidence and were therefore legally insufficient.

Webcast legal vet David Oxenford, speaking at the RAIN Summit this morning, said the board "denied all the motions for rehearing on procedural grounds."

The CRB did not offer any type of clarification or additional information surrounding the minimum $500 fee per channel imposed by the new ruling.

Webcasters still hold out hope for negotiations with the record industry, action in the appellate court or legislative relief.

Link to RAIN

Update: Ars

Jack Thompson: Violent Video Games to Blame for VATech Shootings

2007-04-16T21:24:00.000-07:00

It took perennial dumbass Jack Thompson only a few minutes to connect todays horrific events with violent video games. Kotaku, Digg, and /. each claim that Thompson offered a tearful diatribe to his Fox news audience earlier today about the horrors of FPS's and their undoubted influence on the killings.

This might very well be the quickest asinine trivialization of a tragedy in all of history.

Neuros Recorder Feedback

2007-04-13T00:24:00.001-07:00

Recording with this is pretty cool.


My only complain was that the framerate during capture is somewhat unacceptable for gameplay of this type. I thought i would post an example video just to show the quality in terms of audio and video. Enjoy.

Do DVRs Infringe on Copyright When Networked and Remote?

2007-04-10T14:14:00.000-07:00

That's what a federal district court said about Cablevision's proposed DVR service. Apparently, while there is a long precedent of legal recording rights for media consumers (from cassette recorders to Tivo), those rights are invalidated by the subsitution of individual DVR appliances in consumers' homes for a DVR system controlled remotely in Cablevision's network.
Cablevision is appealing the ruling that prohibits it from launching the service:

"We continue to believe strongly that remote-storage DVR is permissible under current copyright law and offers significant benefits to consumers, including lower costs and faster deployment of this popular technology to our digital cable customers," Tom Rutledge, Cablevision's chief operating officer, said in a statement. "Our remote-storage DVR is the same as conventional DVRs, and merely enables consumers to exercise their well-established rights to time-shift television programming."

Could this also be a matter of first amendment rights to free speech, as an issue of prior restraint?
And how exactly could shifting the locus of a stored, recorded digital program be construed as copyright infringement?
Sounds kind of crazy to me...
[Not surprisingly, the suit that started this whole debate was filed by "several Hollywood studios and TV networks" (Marguerite, Reardon, "Cablevision to fight ruling blocking networked DVR" CNETnews.com)]

Halo 3 Multiplayer to Be Released May 16!!!!!111oneoneone!!

2007-04-10T13:53:00.000-07:00

I know this is totally inappropriate but I just couldn't resist posting this!

Bungie just announced that the Halo 3 multilayer beta will be released on May 16 and run through June 6th. (announcement here)

Also, here's the video that came along with the release:

So, if you'll excuse me now I'm going to pass out.

Independent artist makes it big on iTunes

2007-04-10T13:51:00.000-07:00

I found this article in the UK Evening Standard which I found interesting. The article outlines how independent artist Kate Walsh had a top selling iTunes song despite the fact that she recorded it on a very low budget in a friends house using velvet curtains as sounds insulation.

I think we will begin to see more and more of this as technology improves to the point where amateurs can record high quality digital tracks using cheap off the shelf equipment. When this happens, the major labels will no doubt go out of business unless they change their model.

Cablevision Blocked From Releasing Networked DVR

2007-04-10T13:50:00.000-07:00

Cablevision Systems announced today that it would be appealing a court ruling which blocked the company from releasing a digital video recorder that stores downloaded content on Cablevision's network.

Cablevision was sued last May by several Hollywood studios and television networks, which claimed that the planned service would violate U.S. copyright laws by retransmitting the programs.

The advantages of having a networked DVR are numerous. However, the primary advantage is the elimination of the expensive set-top box with a built in hard drive. This would not only save cost to the consumer, but would also eliminate many technical issues, since the Cablevision would have access to the downloaded programs.

Fight On Cablevision.

LINK

Update: Elektra v. Santangelo

2007-04-10T13:38:00.001-07:00

As I wrote a month ago, a Judge denied the RIAA's request to dismiss the Elektra v. Santangelo case without prejudice. Yesterday, papers were filed which not only discontinued the case, but named the defendant as the prevailing party - possibly putting the RIAA on the hook for legal fees.

This is a situation which the RIAA has been trying to avoid since the inception of its crusade against its customers. Because the persecution relies largely on evidence found after bringing the lawsuit, there is little to ensure that a case will be won by the RIAA if it is brought to court.

In the past several months the RIAA has made efforts to streamline the process from easy to extortion by giving middle-class students and families a 3-5 thousand dollar pre-litigation settlement option (they even take discover!) allowing them to avoid paying tens of thousands of dollars in legal fees in the event that the case goes to court.

The problem with the manner by which the RIAA brings lawsuits clearly evident in the Elektra v. Santangelo case. When the RIAA brings cases with which it has no real accompanying evidence, it risks losing the case and being forced to pay the defendant's legal fees. These fees can be from tens to hundreds of thousands of dollars, and if the RIAA is forced to pay them, the cost can wipe out the gains from thirty or forty pre-litigation settlements.

If dismissals with prejudice keep occurring, these lawsuits could become very expensive for the RIAA - hopefully prohibitively expensive.

(via the Recording Industry vs. the People Blog)

The RIAA and the MPAA Want Pretexting Back

2007-04-10T12:54:00.000-07:00

The RIAA and the MPAA are none-to-happy about the anti-pretexting bill put into place by President Bush back in January, and as such, recently submitted an amendment to the bill in California that would allow the two organizations to utilize pretexting in their endless search for online pirates.

Although the amendment has not gone through yet, it would certainly be a dangerous precedent if it did. The anti-pretexting bill really does a public service in protecting citizens from corporate overreach - we can only hope that it is turned down.

Gaim Settles w/ AOL: Changes Client Name to "Pidgin"

2007-04-10T12:44:00.000-07:00

Last week "Gaim," the popular/open-source instant messaging protocol, released an announcement stating that they would officially be changing the name of their program to "Pidgin" in the near future.

According to the Gaim website, Gaim and AOL have been engaged in a long series of legal negotiations since the program was originally released on the web. AOL had originally contested the protocol's first name "GTK + AOL instant messenger", which lead to the name "Gaim." However, AOL recently trademarked the "AIM" acronym for instant messaging protocols, meaning that Gaim has been forced to change their name once again.

The Fashion Industry and Intellectual Property

2007-04-10T11:55:00.000-07:00

Over at Techdirt, there is a great piece concerning the lack of intellectual property enforcement in the fashion industry. The argument explored is that the fashion industry thrives from the pressure lack of IP enforcement provides.

The article point to a recent NYTimes editorial which explores this issue. Although brand names and logos are protected, actual designs are mostly unprotected. The editorial argues that this forces the fashion industry to thrive - a conclusion that would be certainly unpopular in other content industries. The author at Techdirt writes:

"without the artificial protectionism, the fashion designers are forced to continually compete by continually innovating and always trying to come out with the latest and greatest design. Even though others copy, there's tremendous value in being the first, or being the "big name" in the industry"

Similarly, they quote a previous Techdirt article that's rhetoric is not only poetic, but potent:

"Ideas arise, evolve through collaboration, gain currency through exposure, mutate in new directions, and diffuse through imitation. The constant borrowing, repurposing, and transformation of prior work are as integral to creativity in music and film as they are to fashion"

Another NYTimes article from 2005 points out the inconveniences that can arise from 'image pilfering' for boutique brands. Although the article paints a somewhat dire picture, it nonetheless reiterates the overall tone that in the long run, this lack of IP enforcement leads to innovation as opposed to complete bankruptcy.

The U.S., China, and the WTO

2007-04-10T11:33:00.000-07:00

The U.S., China, and the WTO have gotten themselves in a three-way dance over China's policy against piracy. The U.S have formally complained to the WTO stating that China is a) not doing enough to curb piracy while b) simultaneously putting too many restrictions on U.S. imports (which can only encourage piracy).

Over at Techdirt, they explore problem b a little more in depth. In a Wall Street Journal article graph, both China and France, two countries who have the strongest import restriction on film, are shown to be the two places where the MPAA is loosing the most revenue. The claim is that the U.S. government should be arguing more for a lift of import restrictions rather than stricter piracy rules.

The U.S. government seems to arguing for both to me, although I agree with the TechDirt author that focusing on less-restrictive trade would be a better avenue of pursuit. U.S. priorities seem to be a little backwards in this case .

Cablevision Appeals DVR Ruling

2007-04-10T10:48:00.000-07:00

Cablevision Systems Corp. appealed a federal court ruling today that blocked the rollout of a new DVR service. Cablevision is claiming the US District Court Ruling last month misapplied copyright law to its remote-storage DVR. Cablevision's system would allow any cable subscriber with a cable box to have a DVR-like service by storing an playig shows on computer servers maintained by Cableivion. This saves the need to install hardware in every home. They're arguing that the service was permissible since the control of recording and playback was in the hands of consumers. Cablevision is also using the Betamax decision to arguen in their favor. This case is being watched by a lot of people in the cable TV industry since it could increase the rate of consumption of dvr services.

What happens to the extra 30 cents?

2007-04-09T23:47:00.000-07:00

Gizmodo posted bullet points from a phone interview with Jeanne Meyer, the Senior VP of Corporate Communications at EMI.

•EMI approached Apple about DRM free tracks, not the other way around.
•EMI is cool with any other music store doing DRM-free tracks. This is not an iTunes exclusive.
•Those stores can put songs in any format they want. The iTunes premium price and AAC 256 kbps format are Apple's Marketing decision.

I'm still looking into it . . . but this seems to imply that the price increase was on Apple, in which case maybe they're pocketing the extra cash. Thoughts?

Scott Adams Compares Violating Copyright to Stealing Underwear

2007-04-09T17:51:00.000-07:00

Scott Adams, creator of Dilbert, believes that illegal filesharing is equivalent to stealing someone's underwear, cleaning it, and returning it. Um, what?

He's not arguing for the "if value, then right" position. Rather, he is interested in being able to choose whether to make an e-book of his work.

Link

Also, in a subsequent post, Adams takes his readers to task for what he calls their "cognitive dissonance" in justifying copyright violations.

Apple Sells 100 Millionth iPod

2007-04-09T11:22:00.000-07:00

Apple announced today that they have sold 100 million iPods, all trillion gigabytes of which have been filled with music purchased from iTunes.

Don't steal music.

Record Store Owners Blame RIAA For Destroying Music Industry

2007-04-08T15:54:00.000-07:00

There was an excellent Op-Ed post this last week over at the NYTimes, about how Record Store owners essentially blame the RIAA for the horrible situation the music industry is in.

And - as is often the case - the discussion sparked on slashdot ends up being more insightful than the New York Times. A few highlights:

user ~tgatliff:

As another business owner, I think I know one big reason why your business is failing... You also forgot who your customer is... What right do you have to tell that kid what he can and cant do because of a major flaw your industries business model? This kid is only doing what makes sense to most logically minded individuals that just paid >= $15 for an album. If your industry charged $2 for that album, do you honestly think that anyone would bother the pain of burning it?

What your industry should have done is realised that the individual "value" of your product was going down and reduced your prices accordingly to compete. That is what the rest of us do. They didnt, because they (indluding you) forgot that you serve the customer music... You are not the gatekeeper of music.. Those days are over... The internet is not your competitor.

Also, do not pitty me with your "loose the house" crap. As another business owner, I completely understand this risk, and it is part of being a business owner. It is not societies responsability to prop up a failing industry that is committing suicide. It is dieing and either you change with it or go broke. Oh, and I have a little advice for you since you dont seem to have gotten it yet... Get the heck out of selling music CDs... Close the doors, lick your wounds, and move on. No move or lawsuit is going to save you...

user RedWizzard:

What IS sad, however, is that people don't consider $15 a good deal for an hours worth of music.

I think a big part of the reason for this is that it doesn't compare well to DVDs. Should I consider $15 dollars a good deal for an hour of music that cost $1M to produce when I can spend $20 for 2 hours of movie that cost $200M to produce? (Not that cost is any indication of quality.)

The RIAA has conviently ignored the impact of DVDs. People spend a lot of money on DVDs, money that in many cases would have been spent on music if DVDs didn't exist. I suspect this is the most significant factor in the music industries declining fortunes, not piracy. People have X dollars to spend on entertainment and that money is being spent on different things than it was 10 years ago. DVDs and games are up, music is down.

and the discussions continue...

As summed up by user techdirt:

It's not every day that you see a NY Times piece use the word 'boneheadedness' to describe the strategy of an organization.

via [/.]

U.S. Airlines In-Flight WiFi

2007-04-07T11:35:00.000-07:00

The Wall Street Journal Online reports that U.S. Airlines will begin offering WiFi on its flights within 12 months, following a European and Middle Eastern trend. However, the current plan is that VoIP calls will be banned, with exceptions possible for pilots, air marshals, and airline attendents.

In addition, there is a possibility for future cell phone service, although the FCC does not forsee allowing it any time soon. As the Wall Street Journal Online points out, if cell service is offered, companies like Bose might see a huge increase in the sale of noise-cancelling headphones.

(Via \.)

Paul Kedrosky's Take on the EMI-Apple DRM-Free Deal

2007-04-03T15:09:00.000-07:00

Venture capitalist and blogger Paul Kedrosky says: "EMI is buying market share."

Funny that so few Apple fan-boys are pointing out the obvious in praising Apple's DRM-free deal with EMI. The latter company is an also-ran in physical and digital music, with something like 9.4% share. Dropping DRM and thereby increasing piracy is, in those terms, another way of saying that also-ran EMI is slashing prices (to zero at the margin) to buy market share.

One user ("Rob") points out in the comments, though, that this move is unlikely to increase piracy... EMI's entire catalog is already available on P2P networks at 256 kbps or higher.

Just something to think about.

Link.

Is DRM really dead?

2007-04-03T14:41:00.000-07:00

Since everyone and their mother has posted their mostly jubilant reactions to the EMI-Apple announcement yesterday - Web 2.0 sage Michael Arrington of TechCrunch called it "The Day DRM Died" - I feel it my pessimist's duty to bring a little sobriety to the party.

So my question is this: how much impact will this have on DRM as concept? In other words, I worry that this move, while significant, will not change the notion amongst media companies that DRM is good for business. Ideally EMI digital sales will see a boost, thus inciting the other companies to follow suit. But what if sales don't rise? Would this reinforce the false notions of the media companies? Or what if sales do rise, but other companies don't respond in kind? This would create an even more fragmented and segmented marketplace, with multiple formats, levels of DRM, and now pricing across multiple stores.

Furthermore, is this development only really relevant to the digital music world, mainly for the reason that, with CD's already sold in non-DRM format, the argument against copy protection is stronger with music. Will this motivate a change in the Draconian DRM schemes we see in digital movie services like Amazon's Unbox? For me, this is the key: can this step be the seed that eventually blooms into a non-DRM world, or will this be a small step with little impact?

As a digital citizen I sincerely hope for the former; with a look at the sorry track record of the media conglomerates, I sadly expect the latter.

Major Record Labels Finally Abandon RIAA!!

2007-04-03T14:27:00.000-07:00

In an amazing announcement the four major record labels are breaking from the RIAA. According to a spokesperson for the labels, "The major labels will no longer fight technology but embrace it. They realize selling high quality MP3 audio without DRM will give audiences the music they want in the format that want, and when fans purchase these tracks we will share a higher portion of royalties with the artist, because, lets face it, selling digital files over the net have a higher margin than CDs sold in a store.”

Larry Mattera, Warner Music's senior vice president, said it best. “It scary as hell to guys like us that have been making a living — a damn good one — by selling shiny plastic disks for $18.99 in WalMart and on Amazon, but damn, my kid is swapping songs and I can’t even stop HIM! I realized the truth in the age old adage ‘If You can’t beat ‘em, join ‘em’ and you know, the cassette tape didn’t kill us, the CDR didn’t either, we just got get up off our asses and figure out a better product to sell to people!”

Finally, a stunning victory in the war over DRM and free music exchange! Or is it...(check the date of the post ;)

205 websites down due to China Piracy Crackdown

2007-04-03T14:24:00.000-07:00

Digital Media Wire

Chinese officials in Beijing have shutdown 205 websites in a crackdown on Internet piracy that came partly at the behest of U.S. entertainment interests.

The country investigated 436 cases, 130 of which were at the request of overseas industry associations. In all, 361 sites were ordered to cease infringements.

In addition to the site closures, Yan Xiaohong, deputy director of the National Copyright Administration, said that authorities confiscated 71 servers and referred six cases for prosecution.

"Piracy of intellectual property on the Internet has seriously harmed the interests of copyright owners, leading to a large number of disputes -- and thus disrupting the orderliness of the Internet," Xiaohong said.

Web Browser for the Vision Impaired

2007-04-03T13:54:00.000-07:00

IBM is planning to release a web-browser for the hard-of-seeing using open-source software "in order to make it available to the largest possible number of people"...this sounds pretty cool and with the baby-boomer population strolling towards senility, it's almost surprising MORE tech companies haven't publicly announced similar projects. Impressively, the "A-Browser" as it's called, was invented by Dr. Chieko Asakawa, a partially blind Japanese developer for IBM. The new software will incorporate keyboard shortcuts and control buttons to mediate situations where a mouse would have to be maneuvered normally--a tricky task for a visually impared user visiting a new and unfamiliar website.

According to the BBC website, "the browser also allows video to be slowed down, speeded up and can accommodate an additional audio description or narration track that is often included to make films and television programmes more comprehensible to blind people.

The volume controls also allow the user to adjust the sound of various sources independently - for example the main audio track, an audio description track and output from a screen reader."

These last few enumerated "adjustment options" make me wonder whether particularly anal parties might get up in arms over copyright infringement of their media content, should the browser/the browser's users "alter" that content in these ways. I can't imagine a court would rule in favor of such media providers; but stranger things have happened with copyright law...

Sniffing Out Piracy

2007-04-03T13:42:00.000-07:00

So here's a new way to crack down on piracy: Two trained labradors, named Lucky and Flo, were able to sniff out 50,000 bootleg DVDS in Malaysia! They were sent out last month as a way to crack down on movie piracy and it's the third time they've been successful. They're supposedly on loan to Malaysia from the MPAA. They are trained to sniff a chemical used in the disks. Malaysia is among the world's top illegal movie disc producers and exporters, according to the MPAA and the US government. It's also on the US's watch list of serious copyright violators.

But, not everyone likes dogs. Some movie pirates have reportedly placed a bounty on the two dogs (...poor Lucky and Flo). Neil Gane, the MPAA's Senior Operations Executive, said the MPAA was "taking the threat seriously" and was "factoring the threat when planning operations."

European Union Declares Apple is Violating Antitrust Laws

2007-04-03T13:31:00.000-07:00

Today, the EU announced that an investigation has been launched into the pricing of music through Apple's iTunes store.

The EU believed that by charging different prices for music in different countries, Apple is both unfairly exploiting those countries where music is more expensive, and violating the EU's antitrust laws.

For example, in the USA a track cost $0.99, throughout the Eurozone it costs €0.99, while in the UK a track costs £0.79. With conversion rates in mind, a Euro track ought to cost €0.74, while the UK track ought to be £0.50.

While this may not be too large of a worry for Apple, since their prices are set by the music industry, it does raise the question about the value of a packet of information. Given that all countries are receiving identical data, should one country be required to pay more for the same 3.5mb of data?

Link

New digs for walruses: GPS systems

2007-04-03T13:18:00.000-07:00

From the BBC:

Danish scientists plan to put satellite tags on walruses to understand more about their migration, and how hunting, oil exploration and climate change may be affecting the animals.

GPS systems will be deployed using a cross bow or CO2-powered gun fired from the boat. Each time they emerge from the water, a signal will be beamed up to a satellite, giving details on the the walruses' location. For two months, readers of BBC news will be able to map the progress of the animals on the Walrus Watch map.

Jonathan Lethem on Copyright

2007-04-03T12:58:00.000-07:00

Jonathan Lethem, author and MacArthur Fellowship Grant recipient, recently was interviewed by Salon.com in which he discusses his new book, "You Don't Love Me Yet" and his opinions on copyright. An eloquent writer to say the least, Lethem is relinquishing the film rights to "You Don't Love Me Yet" to whomever can come up with the best script - giving them complete rights to his work. The stipulation is that after 5 years, the script will go back into the public domain. The book itself deals with a fictional indie band who has to deal with questions around content ownership. Pretty meta.

Lethem (who also wrote the extraordinary Ecstasy of Influence) bounces around in the interview from copyright law to David Byrne to art in general. It is an incredible read to say the least, but I have excerpted a particularly intriguing section below:

I make my living by licensing my copyright. Everything I've tried to say, in the Harper's essay and elsewhere, is that there is an enormous middle ground. It becomes one of those issues like, "If you don't favor wiretapping in the U.S., you must be for the terrorists." What I'm seeking to explore is that incredibly fertile middle ground where people control some rights and gain meaningful benefits from those controls, and yet contribute to a healthy public domain and systematically relinquish, or have relinquished for them, meaningless controls on culture that impoverish the public domain.

And my personal favorite:

Sure, but it wasn't strengthening of copyright control that allowed me to make more money after that; it was because I found some readers. Even if my rights were Kryptonite and lasted 1,000 years, if no one read my books, they wouldn't be worth a penny. The economy of human attention is a very precious one, much scarcer than any other. I'm lucky to be in the position of having anyone notice that I've given something away in the first place.

Questions About EMI Deal

2007-04-03T12:48:00.000-07:00

I had several questions/observations for discussion regarding the EMI/Apple extravaganza:

Based on some of my reading, it seemed like it was Apple's decision to sell the new tracks at a premium - remember, the labels charge Apple a wholesale price per download, and like any retailer, they can charge the consumer whatever they please . . . that being said, do you think EMI raised the wholesale price for the DRM-free 256kbps downloads, or is Apple pocketing the entire extra $0.30 ?

While I think this is an important step forward for the industry, I'm a bit turned off by the $1.29 upsell - it was sneaky of them to increase the bitrate alongside no DRM - what are consumers actually paying extra for: higher fidelity, or the rights they should have in the first place? To clarify, Apple is still offering consumers $0.99 downloads wrapped in Fairplay - Steve has framed the $1.29 download as a complimentary product with "additional features." Speaking to this tiered offering, EMI's Nicoli said, "not everybody cares about interoperability or sound quality." WHAT?? This pissed me off - while I applaud EMI for taking the lead here, it's comments like this, straight from the TOP of one of the majors, that is a clear indication of how much further we have to go if the digital download market is going to actually hit the mainstream. While a niche audience will appreciaite this new offering, this will certainly not be opening the digital music floodgates that many had hoped a DRM-free marketplace would provide . . . at least not yet. You want to compete with P2P - how about 256kbps DRM free downloads for $0.49??? We've discussed Real's pricing experiments before - price needs to come down. Now we are witnessing a price increase to make up for the shortcomings of Apple's initial product.

This Summer: The Return of LEGAL Guitar Tablature!

2007-04-02T20:51:00.000-07:00

While the vast majority of net-citizens are aware of the current battle of the RIAA against peer-to-peer networks and illegal downloading, few people know of the MPA's (Music Publishers Association) analogous crackdown on guitar tablature.

Over the past two years guitar tablature sites like olga.net and mxtabs.net have been hit with DMCA notices from MPA attorneys (and, in some cases, representatives of specific artists such as Metallica), leading to a drastic decline in educational resources for musicians worldwide. (For more background on the MPA's actions against tab-based websites check out this article from Ars Technica posted last year, or this Chicago Tribune story.)

However, recent news has opened up the possibility of a legal method of creating and sharing guitar tab online.

As reported by Ars and NYT, Wisconsin-based company "Musicnotes" has entered into a licensing agreement that would allow for the rebirth of guitar tab on the web. Via Ars,

... under a new agreement reached with Musicnotes (one of the largest publishers of sheet music), Harry Fox will allow the company to offer tablature so long as it splits its advertising revenue with the music publishers. The new service will launch this summer at MXTabs.net, which Musicnotes recently acquired.
"Musicnotes proves the viability of a copyright-friendly, ad-supported guitar tab web site," said Gary Churgin, the CEO of Harry Fox, in a statement. "HFA has expanded its licensing and royalty distribution capabilities to support this kind of service, and we will continue to adapt to new licensing opportunities and models such as this to provide the most comprehensive service for our publishers."

The New York Times adds,

Shar VanBoskirk, an analyst with Forrester Research, said tablature sites could also join other online publishers and anonymously track the Internet travels of their users. The budding guitar players might somehow show that they were shopping for a car, for instance, or other expensive goods. Suddenly, she said, “these users are really valuable targets for sellers of all kinds.”
Lauren Keiser, the president of the Music Publishers’ Association, and the chief executive of Carl Fischer, a music publisher in New York, said he would offer the MusicNotes proposal to his board this month to gauge their reaction. “As a publisher, I want to see this baby walk,” he said. “And we’ll see. There might be a whole bunch of other deals coming out of this."

As a long-time player, I think I speak for every current or aspiring guitar enthusiast when I say that this is great news. We can only hope that everything goes according to plan and that this project comes to fruition.

USC makes the MPAA top 25

2007-04-02T18:36:00.000-07:00

We may not make the RIAA's top 25... but we sure can make the MPAA's top 25 (number 12 to be exact)...

I wonder if this has to do with the School of Cinematic Arts and their requirements to watch all kinds of random films combined with the fact that the campus libraries don't always have the film you need and you can't check the dvd's out.

Ars

UPDATE: CORRELATION BETWEEN RIAA & MPAA LISTS
The following schools appear on both lists

Boston University

Michigan State University

North Carolina State University

Ohio University

Purdue University

University of Massachusetts

University of Michigan

University of Nebraska at Lincoln

University of South Florida

University of Tennessee

University of Wisconsin

Answering Some Important Questions: EMI and iTunes

2007-04-02T17:52:00.000-07:00

Engadget's coverage of today's announcement from EMI includes a transcript of some Q&A from members of the press that many of us might find informative.

Eric = Eric Nicoli (Chairman of EMI)
Steve = Steve Jobs (Obv)

Q: When are the Beatles tracks going to be online?
Steve: "I want to know that too." chuckles.
Eric: "we're working on it, hopefully soon."

Regarding Nordic consumer groups, Steve says they are not offering anything new today that's not already available on DRM-free CDs.

Q: Is this a green light for piracy?
Eric: no, we take the view that we have to "trust consumers." Some will disappoint us. The idea is to give them the best music experience to grow sales and not diminish them.

EMI confident this will grow their sales. 1/4 of all sales digital by 2010. Hard to predict, but they think this will make their music more accessible to promote sales.

Q: Have talks begun with other majors?
Steve: EMI is pioneering something that will probably become very popular. Can't comment on any discussions. Again, Steve points out that CDs ship with DRM. Sony tried it... it didn't work.

Q: Are some of the majors being more difficult, if so, who?
Steve: I don't want to go into it, there are always leaders. Customers will love it, they get what they want. Music companies make more money by offering more value.

Q: Will DRM now be removed from videos such as Disney's where you (Steve) has a say?
Steve: I knew I was going to get that question today. Video is different, they never distributed 90% of their wares DRM free like music companies. So he doesn't hold the two in parallel.

Q: Now that the link between iPod and iTunes is broken, will there be a fall in sales?
Steve: No -- no link broken. You can already rip CDs and put songs on any player you want. Apple's success is based on having the best and easiest to use music store and players -- they've never felt any differently.

Q: Which other digital retailers has EMI spoken too?
Eric: We hope they all take this on. (avoids question)

Q: What's the point of keeping DRM on $0.99 tracks?
Steve: We don't want to raise prices on anybody. We'll continue what we started and offer more value for the money without taking anything away. Consumers make the choice.
Eric: Not everybody cares about interoperability or sound quality.

Q: Will EMI dictate pricing to other on-line music stores?
Eric: EMI sets the wholesale price, not the retail price. So prices may vary by other on-line music services.

Via engadget / digg.

EMI goes DRM free

2007-04-02T16:20:00.000-07:00

Following up on Cameron's post below, it is true... It seems that EMI has abandoned DRM across their entire catalog.

From the press release:

EMI Group CEO Eric Nicoli today hosted a press conference at EMI's headquarters in London where he announced that EMI Music is launching DRM-free superior quality downloads across its entire digital repertoire and that Apple's iTunes Store will be the first online music store to sell EMI's new downloads. Nicoli was joined by Apple CEO Steve Jobs. The event also featured a musical performance by The Good, The Bad & The Queen.

Read the full press release here

I can't think how this will be anything but positive for not only EMI but also Apple and the entire music appreciation community. The songs will be higher quality ACC files that have no DRM, available on iTunes.

Further down, the release says

EMI Music today announced that it is launching new premium downloads for retail on a global basis, making all of its digital repertoire available at a much higher sound quality than existing downloads and free of digital rights management (DRM) restrictions.

What does "new premium downloads" mean? Will they truly be releasing their entire catalog or will it be only new songs and some of the better old ones? Or is that just the name of their service?

Do note that the drm free songs will be $1.29 which is an interesting compromise for the freedom that you should have with the $.99 songs.

Pwned in Chronicle of Higher Education

2007-04-02T07:40:00.000-07:00

The Chronicle of Higher Education just published a profile of me and my USC undergrad course, Pwned. It's a great piece! My pal Siva Vaidhyanathan has liberated it from the Chronicle's paywall and posted it on his blog.

Update: Here's a de-paywalled version on the Chronicle's site -- thanks, Henry!

Mr. Doctorow has little taste for what he calls the "maximalist" view of intellectual property — the notion that copyright is something to be enforced strictly rather than something that should strive to be as invisible and as flexible as possible — and the subtitle of his course is meant as a bit of a provocation. "Is everyone on campus a copyright criminal?" the syllabus asks, alluding to the overwhelming majority of college students who have swapped music, movies, and software on peer-to-peer networks. If the answer is yes, he suggests, then something has clearly gone wrong.

With his new course, Mr. Doctorow has joined the growing ranks of scholars preaching that copyright law needs a makeover. Professors like Lawrence Lessig, of Stanford University; Siva Vaidhyanathan, of New York University; and Edward W. Felten, of Princeton University, have taught courses that sought to poke holes in traditional views of copyright. But while those professors made their names in large part through academic books and research projects, Mr. Doctorow has taken a decidedly different route. He doesn't hold a college degree, and he earned his reputation not through scholarly work but through a blog.

EMI and Apple to DRM-Free?

2007-04-01T20:48:00.000-07:00

The Wall Street Journal is reporting (subscription required) that today, Apple and EMI will announce plans to go DRM-free with a large portion of EMI's catalog. If this is the case, things could start getting real interesting. So many questions must be raised...let's see what happens. (via The Inquirer)

UPDATE: Holler.

Sales of Capes, Goggles, and Balloons Skyrocket

2007-03-28T13:22:00.000-07:00

Cory at the EFF Pioneer Awards ceremony
(via xkcd blag)

"Adverbands" Make Sweet Corporate Music

2007-03-27T14:58:00.000-07:00

Perhaps in hopes of spawning a new chapter in the viral-marketing book, perhaps as a good oldfashioned publicity stunt, it seems that besides providing the world with reliable studies on bot-net statistics, and working tirelessly to protect our computers from hackers and such, the folks at Symantec have a new extracurricular activity: the creation and management of an 80's arena rock band. The group, ROckDotRock, was the brainchild of the Night Agency, and is a marketing ploy in which the band will literally sing the praises of Symantec's software.

The AdRant website hails the group as the markers of "a new era of musical advertising." Has anyone else heard of any other adverbands? I'm interested to see how long this era will last...

Reasons Why NBC YouTube Clone Destined to Fail

2007-03-27T13:55:00.000-07:00

The author of this blogpost makes some interesting arguments about why a YouTube clone launched by a joint venture between Newscorp and NBC-Universal is destined to fail. First of all, the company is launching the site in order to exert some level of control over how their material is distributed online. This control over content runs counter to the basic principles that made YouTube popular. Secondly, the content on this new venture will most likely be severely censored. This again runs counter to YouTube's appeal of limited control over content. Finally, the author argues that all the media conglomerates that are working with each other in this venture will be unable to work together and form a viable strategy.

I agree with the author completely on this topic. This seems to me to be another AOL-Time Warner fiasco: It seems like a good idea at the time, but the companies end up not being able to merge and work together efficiently, and thus ultimately leads to their demise.

Sprint Reprices Mobile Downloads at $0.99

2007-03-27T12:23:00.000-07:00

Sprint has announced plans to lower the price of over-the-air (OTA) music downloads from $2.49 to $0.99, inline with Apple's established pricepoint on the desktop.

US mobile carriers and record labels have been reluctant to do this for fear of cannibalizing the multi-billion dollar ringtone cashcow. But as full-length songs becomes more common on handsets, I don't see how the industry can continue to sell 8 second clips of songs for $2.49.

While this may hurt Sprint's ringtone sales in the short term, it is a smart move. Mobile music in the United States is far behind many foreign markets, particuarly in Europe and Japan. Inevitably, Apple will offer iTunes downloads via the iPhone at some point - it looks like Sprint has the foresight to capture some of this emerging market early on.

London gamers get FREE (as in beer) HD TV

2007-03-27T00:31:00.000-07:00

When Playstation 3 went on its midnight sale in the UK on Friday, patient gamers waited a long 36 hours to get the new console at the Virgin Megastore on Oxford Street. It wasn't the free coffee and coke that got them stoked as Thursday turned into Friday, nor was it the fact that they'd be the first in the UK to get Sony's new toy.

They had just been told they'd be rewarded for their patience and loyalty with a brand new HD TV. Everyone who waited overnight also received a free taxi cab ride home. This is both a great publicity stunt for Sony, obviously, and also generous for a company who has been reported as losing $300 on every Playstation sold. It is a big spend for Sony..but according to a Sony spokesperson "it's all about the consumers."

What did the gamers have to say? One customer put it this way: "I'm ecstatic. Sony we love you."

from: BBC news

Purdue Unviersity to Students: The RIAA is Coming, and That's Your Problem

2007-03-26T23:33:00.000-07:00

Tens of thousands of students at Purdue University received an email from their administration last week stating that the RIAA would be sending notices of legal action against some of them. On its own, this isn't really remarkable news. What is interesting though is the way Purdue is handling the situation of cooperating with the RIAA and identifying its targets.

The university doesn't seem extremely thrilled by the new task, as Jeanne Norbert, Purdue spokesperson says, "It's time-consuming on our part because the addresses used by a computer frequently change, but we will make a good faith effort to deliver the notices to the correct person."

But what I don't get is how that ties into this part of the email sent out:

"While the university will do its best to deliver these notices to the proper individuals, it is not responsible for the accuracy of the identification or address to which such notices are sent."

So, in essence, Purdue simply doesn't care whether the right students are hit with legal notices. As long as they take care of business on their end it just isn't their problem anymore.

And as if that wasn't classless enough, the University has also made it clear that satisfying the RIAA would be incredibly cumbersome and expensive, but that they are still complying with their requests anyway.

Way to be the RIAA's tool, Purdue.

via digg / computers.net

University of Nebraska to bill RIAA $11 per Letter

2007-03-26T21:37:00.000-07:00

In a move that will hopefully be echoed across the country, the University of Nebraska has stated that they will begin charging the RIAA's Denver based enforcement company $11 for every letter that they have to forward onto students.

Walter Weir of the university's chief information office says,

"We're spending taxpayer dollars tracking down RIAA problems. Are we an agent of the RIAA? Why aren't they paying us for this?"

In their reply, the RIAA said,

"It is neither practical nor appropriate for us to entertain a reimbursement request."

In an interesting twist of events, the RIAA sent letters to 37 students based on ip addresses, however, the university can only find nine of those students because of the way they assign ip addresses and retain the ip data.

Omaha World Herald
The Consumerist

Ars Technica on Viacom's DMCA "Driftnet"

2007-03-25T20:14:00.000-07:00

In a recent and great article about the Viacom v. YouTube legal fight, Ars Technica covers the not-oft discussed effects of Viacom's automated litigation, including the removal of thttp://www2.blogger.com/img/gl.link.gifhe completely-legal-under-fair-use-Parody video of the Colbert Report. From the article:

Finally, the EFF claims that a YouTube lawyer verbally confirmed that the complaint came from Viacom. To the EFF, the entire episode highlights a serious problem: "with Viacom sending more than 160,000 DMCA takedown notices, it may not even be aware which videos it told YouTube to remove. If that's right, then Viacom will inevitably end up censoring some perfectly legitimate videos—surely, the MoveOn/Brave New Films video is not the only example of a fair use that got caught in Viacom's driftnet."

The article goes on to elaborate on the EFF's retaliatory lawsuit against Viacom on behalf of the video creator.

Link.

Developer Stardock Explains No-DRM Policy

2007-03-25T13:22:00.000-07:00

In an article dated March 21st from Stardock's website titled "How Copy Protection Creates Pirates," Stardock Corporation Inc. extolled the negative effects of DRM and explained a current company policy to not use it.

Stardock develops and publishes video games (such as the Galactic Civilizations franchise), as well as a handful of other visual and graphical programs. The company also administrates Totalgaming.net, an online store that sells downloads of games, DRM-free, directly to consumers. The company does not employ DRM anywhere in any of the software that they release.

When Galactic Civilizations II was released with no copy protection whatsoever, some people said that we must not care about piracy. Of course we do. We worked hard on the game and hope/expect people who want it to pay for it. But there are too many times when copy protection and DRM end up hurting legitimate customers.

The company believes that, by developing software that has a high level of quality, consumers will be drawn to pay for it. Of course piracy will still occur, but by creating something that people actually want to buy, sales won't be drastically reduced by it and consumers won't have to deal with the headaches that are often a result of DRM implementations.

They have also chosen not to use DRM in their Stardock Central app (connected with Totalgaming.net to give consumers the ability to download games - like Valve's Steam), a decision they based on the multitude of problems that consumers have with DRM already.

Stardock and TotalGaming.net don't use DRM. Our delivery program, Stardock Central, uses SSD (Secure Software Delivery) which in essence functions as a way to verify that the user downloading it is who they are (basic activation) but after that, you're done. There's no DRM, digital license, net connection, etc. needed. And even if you lose your serial #, CD, etc. no problem, the automated system will resend you everything you need in email.

Stardock has touched on something I believe to be very important to the well-being of the software and media industries: consumer trust. Stardock's sales have not been negatively affected by their decision not to include DRM in their games or game distributions. They had no reason to believe that DRM will help their bottom line at all, and they acted on it.

This news update on Stardock's website was prompted by an interesting story on The Consumerist blog from March 20th. "How I Became A Music Pirate" tells the story of how Jarret, a 40-year-old man who bought his music, was driven to piracy by the DRM in the software he used to buy a Luna album from Rhino Records' online store. He runs into a problem when he realizes that the WMAs he downloaded will not play in iTunes because of the copy protection that Rhino Records uses. He eventually calls a representative and is stonewalled in an interesting, but typical, way (emphasis mine).

So I called Rhino customer support and after an 8 minute wait spoke with a representative. She informed me that the files were indeed copy protected so that I could only play them on specific music players, most notably not iTunes.

"You don't understand," I said, "These files were not copied or pirated, I actually purchased them."

"Well" she responded, "You didn't actually purchase the files, you really purchased a license to listen to the music, and the license is very specific about how they can be played or listened to."

Now I was baffled. "Records never came with any such restrictions," I said.

She replied, "Well they were supposed to, but we weren't able to enforce those licenses back then, and now we can."

The story goes on to chronicle his decision to download the songs so he can listen to them in iTunes. Just an interesting account of one person's experience with DRM that was so bad, he had to pirate the music. He tried to buy the music several times and he was never able to get what he wanted for his money. He ends with only the most fitting resignation:

Since I've resigned myself not to waste any more time with the music business, I suppose I'll have to resort to purchasing used CD's & records, or having my friends occasionally make me a copy of one of their newer CD's.

Call it piracy. Call it whatever you want. But at least I tried. I gave you several chances and you failed miserably at every level.

It's sad when a dying business is so stubborn that it refuses to work with its customers to help them give the business money.

Edit: Continuing to follow the thread at SA revealed this gem of an exchange between eight forums members:

GamingHyena: Piracy leaves the artist with 0%.
Powercrazy: You are wrong. If I download a CD of an artist I've never heard of, listen to it and decide I like. I am about 1000% more likely to go see that artist at a concert. When I pay to get into the concert I give the artist money (not 100% but much more than I would buying the CD.) If I had never downloaded the music in the first place I would have never gone to the concert.
Nodrog: When I shoplift a new bar of chocolate I am 1000% more likely to buy said chocolate in the future if I discover that I like it.
The Remote Viewer: Not analogous. If he had said shoplifting the CD made him more likely to attend a concert, then you'd have a point.
Dr. Pwn: (to The Remote Viewer) Still not analogus. If he had said that shoplifting the CD made him more likely to buy future CDs, then he'd have a point.
Al Azif: (to The Remote Viewer) It's analogous if you consider shoplifting and copyright violation morally equivalent.
withak: (to Nodrog) More like if you magically created a chocolate bar from thin air at no cost to the manufacturer of the chocolate bars.
withak: (to Al Azif) In one situation someone's property has been taken away from them and in the other it hasn't.
durasteh: (to withak) There is such a thing as intellectual property.
withak: You can't take that away from the owner though, just redistribute it without permission.
durasteh: This is known as Intellectual Property theft.
withak: And is treated differently in laws from real property theft.

(via the SA Forums)

Links:
SomethingAwful Forums Thread
Stardock Release
The Consumerist Blog post
Totalgaming.net
Rhino Records

Apple TV allegedly hacked to play XviD

2007-03-23T11:54:00.000-07:00

The blagosphere is buzzing about the alleged, near-instant (read: 3 days since launch) hacking of the Apple TV to play XviD (and all Perian-supported file types). The hack requires a skosh of hardware hacking--pulling out the Apple TV's hard drive--before putting it into an enclosure, and then loading it up with codecs and a new startup script. The Apple TV apparently runs a version of OS X, which is a boon to the modding effort.

(via Something Awful forums)

Cory Doctorow Does...?

2007-03-22T23:48:00.000-07:00

ℵℵℵℵℵ>> Blagofare <<ℵℵℵℵℵ

HD-DVD coming to an X264 DVD near you...

2007-03-22T20:12:00.000-07:00

Remember when I reported the first HD-DVDs were on BitTorrent at about 20gigs a piece?

In class we talked about how this size constraint was going to slow the transfer of these huge files over the internet - at least for a while. However, in the last couple weeks I have been spotting a new trend with these previously unwieldy packages.

A Normal DVD is 4.7gb ->
a good XviD compression brings that down to ≅ 715mb

A HD-DVD (or Blu-Ray) is 25gb ->
great X264 compression puts these files ≅ 4.5gb
just large enough for a standard DVD

If you do a quick search and check out one of these movies, the quality is simply staggering. You get true 720p video quality and unmatched clarity. I watched Sin City today, and every video i have seen since is a sham by comparison. Check out a few screen grabs:

Cap 0 Cap 1 Cap2 Cap3 Cap4
The quality is simply astounding.

It all just goes to show how extensive DRM work can never foil a persistent hacker.
Resistance is futile.

Guide for encoding x264 for you Mac Fanboys.
And another one for the rest of us.

RIAA Stuck in Santangelo Case

2007-03-21T20:47:00.000-07:00

Ray Beckerman reports that the federal judge overseeing the Elektra vs Santangelo case has denied the RIAA's request to have the case dismissed without prejudice. Judge McMahon ites that there is "Nothing in any papers filed by plaintiffs suggests IN THE SLIGHTEST that Mrs. Santangelo has ever perpetrated any fraud on this court."

This means that the RIAA has two options as to how it can proceed: Either it can take the case to court and jury, or it can request to have the case dismissed with prejudice. If the case goes to jury, then the lawsuit will proceed as any normal lawsuit, and the RIAA will most likely be forced to argue that Patti Santangelo was a secondary infringer.

If the RIAA deicdes to have the case dismissed with prejudice, the defendant will be named the prevailing party, and thus the RIAA will be on the line for Patti Santangelo's attorney's fees.

The Judge has also decided not to extend the filing deadlines, so the RIAA must either choose to dismiss the case with prejudice and submit the paperwork by April 1st, or appear at the status conference on April 13th with the appropriate paperwork.

Free Chipotle AND a rap on the knuckles for the RIAA? Today was a good day.

(Via The Recording Industry Vs. The People Blog)

Links:
Ars Article & Discussion
The Judge's Order

Students: get paid to hack TOR this summer!

2007-03-20T14:12:00.000-07:00

EFF is recruiting student programmers to do paid work on the onion router (TOR) this summer -- this is a technology for anonymizing Internet connections. It's intended for use by people living in surveillance societies like China, Syria, and the average American high-school.

Working on Tor is rewarding because:
* You can work your own hours in your own locations. As long as you get the job done, we don't care about the process.
* We only write free (open source) software. The tools you make won't be locked down or rot on a shelf.
* You will work with a world-class team of anonymity experts and developers on what is already the largest and most active strong anonymity network ever.
* The work you do could contribute to academic publications -- Tor development raises many open questions and interesting problems in the field of [WWW] Privacy Enhancing Technologies.

Link(via Deep Links)